This evening I introduced the Weird Sound Generator (WSG) to the Electro-Harmonix Deluxe Memory Man delay. The two of them hit it off and the next thing I knew was that someones jack went into someones input and some completely unprotected signals went down. A little mood lighting later and… here’s the result of the union.
WSG Meets Memory Man
I’m not going to mention software or instruments that I’ve used. I will mention that one of my main artistic functions has been the roll of a bass player since age 11. In this case the bass guitar has been silenced. This is not the first time I’ve produced music without the use of my reliable four stringed chum but maybe the first time I’ve used a foreign instrument as the key writing tool, and may very well be a catalyst for my fourth full length release as ten72. This track has the working title of Prophesser #5.
Prophesser #5
In late June 2011 I will be presenting the GMS and Grain Machine, as well as performing with Ostracon, at the Eyeo Festival. Eyeo is a new festival organized by Dave Schroeder, that includes an ever expanding and incredible list of speakers. I am honored, humbled and invigorated to be participating in this event. Here’s a blurb from the festival website:
“eyeo brings together the most creative coders, designers and artists working today, and shaping tomorrow – expect an amazing three days of talks, labs, demos & events fueled by the people and tools that are transforming digital culture.”
Just to give you an idea of the scope of the presenters, both Ben Fry and Casey Reas, founders of the Processing.org language (that I used to build the GMS) are on the roster among many other brilliant talents. Checkout the website for a list of the presenters so far. Here’s a track from the upcoming Ostracon album to illustrate what we’re producing.
Entropy Procedure by Ostracon
During a rehearsal with DGK tonight for our upcoming show this Friday at the Turf Club, I put the Roland Juno-106 on top of the Rhodes and ran them both through my Electro-Harmonix Deluxe Memory Man delay. I had the Sony PCM-D50 setup to capture the session with TIm Glenn on drums and Jon Davis on bass. It was a fun rehearsal. I’m looking forward to our show. Here a segment from the recording where I was playing chords on the Juno through the Memory Man.
DGK Rehearsal Segment
Here’s an arpeggio I recorded with my Casio CZ-1000 that’s part of a composition I’m working on. I really love this synth. There’s something special about the way it sounds when combining phase distortion with ring modulation. I added a bit of reverb to give it some space.
Bell Like Casio CZ-1000 Arpeggio