Ambiences from Éire

Another project that was released recently is Ambiences from Éire. This collaborative album of electronic ambience fused with acoustic Irish music was an absolute pleasure to be a part of. The project was the brainchild of producer Lister Rossel of West One Music Group in London, who commissioned me to participate as a composer along with Niamh Nolan, and Sean T. Ahern. We began working together in late 2025 and wrapped up our composing duties last April. Most of the collaboration was remote, but I added some piano parts during a trip to Sean’s studio in London last May, and Sean oversaw the recording of Niamh’s voice and several Irish instrumentalists (including himself). The project couldn’t exist without Niamh’s stunning vocal work at the heart of the album.

I could write so much about the process of making this music. For now I’ll say that all of the collaborators were a joy to work with, and it was a thrill to hear one of my compositions realised as a string quartet. Counterintuitive to my own understanding of myself as an artist, I really enjoyed composing within the parameters given to us by the producers and staff at West One. When there were notes or suggestions about a particular piece I really enjoyed the challenge of meeting those requests while sustaining the original intent. I look forward to doing more work of this kind (until we’re all replaced by AI).

Consonant Dissonance Now Streaming

I have produced a short video essay to share a little about the concept and process for Consonant Dissonance and to coincide with the album being available on streaming services. Some of the streaming services where the album is available include Tidal, Youtube Music, Apple Music, Amazon Music, Bandcamp, Qobuz, and Deezer.

I was also interviewed by Philip Nusbaum for the Public Radio program, Twin Cities Weekend aired on KBEM. An archive of the podcast is embedded below:

Consonant Dissonance on Elektramusic.eu

I’m pleased to announce that Consonant Dissonance, my album of electroacoustic piano pieces is now available on Elektramusic.eu Berlin. It’s is available for streaming and as a 48kHz / 24bit download on Bandcamp and will be available at the usual places shortly. I also wrote about the process of composing and performing the work here.


Sadly this release is happening during a difficult time for much of the world. The video above was taken near my home in France about 90 minutes away from the wild fires devastating vast swathes of the country. It depicts the ominous beauty a sunset tinged by thick smoke in the atmosphere with les tournesols (the sunflowers) in the foreground. If you’d like to aid families displaced by the fires please visit Croix-Rouge Français (the French Red Cross).

Consonant Dissonance out July 27, 2026

Consonant Dissonance Elektramusic Berlin, 2026. Album art photo by John C.S. Keston.

I am releasing a solo, acoustic piano album titled Consonant Dissonance on Elektramusic Berlin on July 27, 2026. Among the original compositions are several electroacoustic pieces that process the piano through a modular synthesizer. For each of those the piano signals are handled in different ways. These include granular synthesis, looping, pitch shifting, reverse, analog filtering, delay, and reverberation, all modulated via a function generator, low frequency oscillators, and a sampling touch controller which I operated while playing the pieces.

The modular synth I used for the album. Ironically this was photographed at the venue Berlin in Minneapolis​.

The album was recorded at The University of St Thomas, Schoenecker Center, Audio Studio on a Kawai RX-3 grand piano. Gratitude goes out to my former student Alejandro Vega for engineering assistance, and Adam Krinsky for mixing and mastering consultation. Well before I recorded the album I performed the pieces live at a few venues including Berlin, the excellent music venue in Minneapolis that borrows the German city’s name. The irony isn’t lost on me that a label based in Berlin are the ones releasing it over a year later.

The videos above and below were made with a digital piano as a proof of concept for running piano through a modular system to process the signals. I had manipulated piano through processing at concerts in the past (see this article about an electroacoustic piano concert from 2016), but this was the first time doing it with a bespoke modular synth, where the modules and patching were specifically designed for that purpose.

Video: Gradient Noise Full Version

This full length stereo version of Gradient Noise is a little closer to what I presented at ICMC in Hamburg last month although without the spatialized elements. More information about this project is available here Gradient Noise .