Hey again. More from the Lost Track archives! As my last contribution focussed on the huge NZL14 Yacht, I thought what better than to continue where I left off…
This sound is not an original discovery, but it certainly feels satisfying one you know where it came from – I’ve heard many techniques on getting this sort of sound, including striking telegraph poles. In this instance, it came from a large steel mainstay cable which was very thick and under several tonnes of pressure. After being struck, they started to move metal rings up and down, giving a raspy sound. I’ve got hours of this stuff!
Sci Fi retro laser gun sound!
I came across this sample from a performance on July 13, 2006. It is a delayed synthesizer line that I played and captured as a clip in Ableton Live during the show. What’s interesting to me about this clip is the obvious modulation in pitch on the delay trails. This is not something that I programmed into the patch and I suspect is actually caused by a bug in the Korg MS2000. It’s possible to recreate this bug by enabling tempo delay then sending external sync to the instrument. I rarely experience this glitch anymore because rather than using the delay on the Korg, I usually run it through tempo delay in the software. However, I kind of like the ghostly quality it creates in this short passage.
Today has been a busy day on ACB with new contributor Tom Player’s lovely yacht recording and Nils Westdal’s Christopher Willits remix. So, all I have for you is a quick sound to fulfill my
A few years back I decided to enter a remix contest presented by