I’ve been sampling my Casiotone 403 recently. I have recorded and sampled this instrument in the past, but this time I wanted to gather some of the beats at a slow tempo so that I could play them at many different tempos without hearing artifacts created when time expanding or compressing. This is a loop of the familiar Samba setting. I recorded it at 85 bpm, then cranked the tempo up to 195 bpm and looped it four times before rendering this example.
If you turn it up loud enough you’ll hear an unfortunate buzz. I attempted to get rid of the buzz using a noise gate, but I couldn’t get it to sound the way I wanted it to. I also thought about (and will probably do this eventually) sampling each sound at a very slow tempo and creating an instrument out of the individual samples. But for now I was interested in maintaining the charm of the original programs.
Casiotone Samba Setting
Here’s a short little bass line I recorded while reacquainting myself with my Maxi-Korg yesterday. I love the gritty sound of this instrument, one of the most well known of the duophonic synthesizers. Sometimes I find myself reaching for the non-existent pitch or modulation wheels, but the limitations of these vintage devices are part of their charm and might encourage the musician to come up with new ways to play (or rediscover old ways).
There are quite a few applications available that produce audio from imagery. Whether it’s photography, or computer generated graphics the results can be fascinating. For further exploration an article that describes eight programs that convert imagery to sound called
I literally dusted off my
Recently I was invited by Michel Rouzic to try his software,