Here’s another example of audio that was recorded for the purpose of live looping during a performance.
The clip is dated from August 18, 2006 and is a typical example of how I often use a resonant drone with cutoff frequency manipulation through delay to create textures.
Resonant Drone
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Hey again. More from the Lost Track archives! As my last contribution focussed on the huge NZL14 Yacht, I thought what better than to continue where I left off…
This sound is not an original discovery, but it certainly feels satisfying one you know where it came from – I’ve heard many techniques on getting this sort of sound, including striking telegraph poles. In this instance, it came from a large steel mainstay cable which was very thick and under several tonnes of pressure. After being struck, they started to move metal rings up and down, giving a raspy sound. I’ve got hours of this stuff!
Sci Fi retro laser gun sound!
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I came across this sample from a performance on July 13, 2006. It is a delayed synthesizer line that I played and captured as a clip in Ableton Live during the show. What’s interesting to me about this clip is the obvious modulation in pitch on the delay trails. This is not something that I programmed into the patch and I suspect is actually caused by a bug in the Korg MS2000. It’s possible to recreate this bug by enabling tempo delay then sending external sync to the instrument. I rarely experience this glitch anymore because rather than using the delay on the Korg, I usually run it through tempo delay in the software. However, I kind of like the ghostly quality it creates in this short passage.
Warbled Synth Delay
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Today has been a busy day on ACB with new contributor Tom Player’s lovely yacht recording and Nils Westdal’s Christopher Willits remix. So, all I have for you is a quick sound to fulfill my One Sound Every Day duties. I created this diffused noise montage by pitching down a metal wheel scraping sound and then running it through a very long reverb.
Reverberated Metal Scraping
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A few years back I decided to enter a remix contest presented by ccMixter and XLR8R Magazine. The track to be remixed was “Colors Shifting” by Ghostly International recording artist Christopher Willits. Of course the contest was almost over when I started so I was really just doing it for shear creativity. I used only a small amount of samples that were available which included a string section, voice and guitar sound I think. One of my favorite sections of this remix was created by sampling my own bass harmonics and then programing them into a pretty melodic pattern. I had a couple email conversations with Chris himself letting him know that I couldn’t finish it in time. He was nice enough to let me know he would consider a late submission but I ended up working on it for another month and kept it to myself until now.
colors-shifting-ten72-shift
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Listen to the original version of Colors Shifting.