I registered the AudioCookbook.org domain in December 2007, but the first few entries on the site happened on January 14, 2008, which I am hereby declaring as the birthday of ACB making it one year old as of Wednesday. It has been an interesting year. In July, 2008 I started the One Sound Every Day project. Creating at least seven sounds a week with written accompaniment has been at times exhausting and exhilarating. Regular readers, commentary and contributions from around the globe have kept it fun and inspiring for me along the way. Thanks to sponsorship from Unearthed Music, who provide the hosting for ACB, we are non-profit and free of advertisements.
I would like to thank all the readers / listeners who have set their eyes / ears on ACB. A special thanks goes out to everyone who has commented, either with words or sound, keeping the discussions alive. A very special thanks goes out to the contributors including Simone Giuliani, Michael Koppelman, Nils Westdal, Leafcutter John, and Tom Player. I’d also like to thank Peter Kirn for helping to legitimizing ACB on his site Create Digital Music. Here’s a link to one of Keston and Westdal’s most popular tracks from the late nineties, Sonny’s Cut, off of our first album, Super Structure Baby.
Sonny’s Cut
from Super Structure Baby (2004, Unearthed Music).
Here’s another example of audio that was recorded for the purpose of live looping during a performance. 
Hey again. More from the Lost Track archives! As my last contribution focussed on the huge NZL14 Yacht, I thought what better than to continue where I left off…
I came across this sample from a performance on July 13, 2006. It is a delayed synthesizer line that I played and captured as a clip in Ableton Live during the show. What’s interesting to me about this clip is the obvious modulation in pitch on the delay trails. This is not something that I programmed into the patch and I suspect is actually caused by a bug in the Korg MS2000. It’s possible to recreate this bug by enabling tempo delay then sending external sync to the instrument. I rarely experience this glitch anymore because rather than using the delay on the Korg, I usually run it through tempo delay in the software. However, I kind of like the ghostly quality it creates in this short passage.
Today has been a busy day on ACB with new contributor Tom Player’s lovely yacht recording and Nils Westdal’s Christopher Willits remix. So, all I have for you is a quick sound to fulfill my