Ostraka at The Somethin’ Else No. 9

Tonight I’ll be performing a solo Ostraka set at The Somthin’ Else series curated by Jon Davis. This month the theme is “Frankenstein’s Day Monster Pizza Party, an electronic music potluck”. From the blog:

“It’s alive! Come celebrate Frankenstein’s Day with The Somethin’ Else on Friday, February 11th at the Love Power Building! Music, dancing & PIZZA!!!!!!” featuring: Mkr/Marx, Speakthrone, Dark Lord of Rhodes, (Alans), S/M, The Eclectic Ensemble, Ostraka, Jackie Becky/Jonathan Kaiser/Naomi Joy/Ryan Billig, Patrick Voller, Surface Vains, Self Sound Ochestra, Camden, Jesse Whitney & Tim Glenn, Littlefoot, MKR, and more. 9:00pm. All ages. $5 or free with a potluck contribution.

FRIDAY, FEBRUARY 11, 2011
LOVE POWER BUILDING
1407 WASHINGTON AVENUE SOUTH
MINNEAPOLIS, MINNESOTA

Arpeggiated Self Resonance Part 2

Here’s another example of arpeggiated self-resonance from the Juno. This time instead of adjusting the settings on the synthesizer, I made adjustments to the arpeggiator. Basically I adjusted the style, steps, and distance in Ableton Live’s arpeggiator. It includes a total of eighteen unique arpeggiator modes or styles. I used “Pinky UpDown”, “Thumb UpDown”, “Random Once”, “Random”, “Chord Trigger”, and “Con & Diverge”. Perhaps a couple of others as well.

Arpeggiated Self Resonance 2

Arpeggiated Self Resonance

This sound was programmed on the Juno-106 with the oscillators off and the VCF resonance all the way up, which puts the instrument into self-resonance as was discovered in the article Eerie Pseudo Oscillator Microtrack. Right around 0:42 I turned on the sawtooth wave and manipulated the LFO, then at 0:57 I turned it back off again.

Arpeggiated Filter Self Resonance

Korg MS2000 Granulated Prickly Synth

To get this prickly texture I ran the Korg MS2000 through Grain Delay and Auto Pan in Ableton Live. I forgot to mention that the track was going through the usually reverb and delay sends as well.

Prickly

Speaker Rattling Filter Sweep Saw Octaves

This is part of the bass line from a synthesizer waltz that I’m composing. The sound was played on the Roland Juno-106, which I can’t seem get enough of these days. No processing was applied. All you hear is the chorus along with the LFO modulating the VCF for a long, slow filter sweep. Oh yeah, and I was manually tweaking the cutoff, and probably the envelope amount as well.

Speaker Rattling Filtered Saw Octaves