I can’t seem to get enough robot action these days. Robots have lots of personality. Much more than politicians who convene in St. Paul. I used a similar technique to get this sound as I did for Robot Music. This time, however, I did a bit of processing after the fact, including pitching the recording down thirteen steps. Why thirteen? Because thirteen is a cool number. It’s subversive and pagan and not a floor in lots of buildings. I also added some standard reverberation and automated up some delay at the end to please my sense of aural space.
Robot Conspiracy
Having been asked on more than one occasion, it is about time that I posted a sound from one of my favorite synthesizers, the 
I produced this sound by playing one note in a virtual instrument called “Harmonic Dreamz” which is part of 
I looped this section of radio static where I was quickly swapping between two channels of music with the analogue dial. Although cacophonous, it has a strangely attractive rhythmic and musical quality to it. So, of course that led me to experiment with some processing. I did not want to manipulate it too much so I could illustrate the drunken quality to the passage as it repeats, but I added a short, modulated, stereo delay to create some imaging on the mono recording. After that I decided to map a couple of controllers to the left and right feedback of the delay, allowing me to over saturate the output dynamically over the recording’s one minute and six seconds duration. 
For some reason, the AM (amplitude modulated) radio static that I recorded recently is much noisier than the FM (frequency modulated) static. The noise is also at a lower frequency than the FM noise which makes sense since the FM band is at a higher frequency than the AM band. The AM band is in the kilohertz range (535 to 1705kHz) while the FM band is in the megahertz range (87.5 to 108 MHz). In any case, I think you will find this recording familiar.