Phone Recording of Drum Jam in Mexico

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You may have thought that I have posted some random clips of audio on this site in the past. That is a fair statement, but tonight I have converted seventeen recordings I have made with my Sony Ericsson K800i mobile phone to .wav format. They are more nostalgic than useful so I won’t be posting all of them, but they do have a certain charm in an ultra lofi way.

The phone records sound at 16 bit. The sampling rate, on the other hand, is only 8 kHz – nowhere near the fidelity of standard audio CDs (44.1 kHz). So here is something on a pretty high magnitude of randomness: a drum jam I recorded at a little open air club in Playa del Carmen, Mexico back in March, 2007. The music was good. The tequila was better. The recording is awful. If you brave this one out, then you know what an 8 kHz phone recording sounds like.

Phone Recording of Drum Jam in Mexico

 

Living Room Ambiance

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This sound was captured accidentally in my living room as I fiddled about getting ready to record my piano. The hardwood floors created some serious low frequencies up the mic stand as I was moving around.

If you listen carefully, you can really hear the shape and temperature or the room. I added a significant amount of gain to get this into an audible range. Otherwise, it’s really just an example of a recording that I never intended to make.

Living Room Ambiance

 

Forgotten Complex

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Now that I have a title for the piece in my last entry, I may as well post a segment from a different layer. This is the main melody. It’s a section of Rhodes Electric Piano that I recorded back in 2005 while testing a live looping technique in Ableton. Today my plan was to find a random clip and run it through some complicated filtering delay and then post the results. Later that same day I completed Forgotten Complex. Currently I have about fourteen different pieces in various states of completion, all as a side effect of my contributions to the One Sound Every Day project.

Forgotten Complex

 

Percussion Track

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This segment of percussion is from a new piece I started on today. To get this sound I used a similar filtering technique that I described in Hummingbird Morse Code on a percussion loop that I had pitched up about two octaves. When pitching up that far on a warped clip in Ableton Live the audio takes on a ratchet like tone. Adding the filtering after that created some low resonant sweeps that add some bass frequencies to the track. I haven’t named the piece yet, so this segment is simply titled Percussion Track, although unlike any percussion I have heard.

Percussion Track

Musitronic

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Recently I stumbled across an archive of a late night Keston and Westdal jam session buried in a dark, moldy and neglected sub-folder. I looped two bars and put a fade at the end, but otherwise left it untouched. It consists of bass guitar (Nils Westdal), a breakbeat, and myself on Wurlitzer Electric Piano. More specifically a Wurlitzer Electric Piano packaged by Musitronic for use as a student model. I picked this one up in the mid-90’s for a couple hundred dollars. I don’t use it that much since I prefer the sound of the Rhodes, but I think this particular recording is a nice example of the Wurly sound.

Musitronic