Here’s another example of Rhodes recorded during our set at Nublu. It’s interesting for me to hear these clips unprocessed and without the other instrumentation, not to mention the excessive crowd noise in the room. During the performance, when I record these clips, I’m usually running the Rhodes through various amounts of amp modeling, eq, compression, delay, and sometimes reverb or filtering. There’s often other loops playing while I record as well as live drums, bass and laptop added by Graham and Nils as you can hear in Segment of Recording from Nublu.
More Nublu Rhodes
One of the nice things about playing at Nublu is the fact that they have a Rhodes in their backline. I don’t know very many clubs that do, and most of the time, if they do they are in disrepair. Instruments in backlines suffer a lot of abuse. The Rhodes is not a delicate instrument but with heavy use certain things break. Most commonly the tines. So I went to the club early just to check on the Rhodes and offer to repair it if needed. 
I came across this busker in a Times Square subway station surrounded by several battery powered dolls gyrating to his music. Fortunately I had my Sony PCM-D50 along to capture a few minutes of his performance, and a few dollars for his tip bucket. The scene was surreal and difficult to describe, but enchanting never-the-less.
This recording from the New York City subway system includes the classic and familiar chimes to indicate that the sliding doors are about to close. Newer cars have a spoken message, “stand clear of the closing doors please”. The doors open and close at a couple of stops. There’s quite a bit of talking going on in the car along with the track noise, electric motor acceleration, and screeching brakes. If you listen carefully you can hear Ray telling an embarrassing story about how he once fell over onto another passenger as the car took off. Sorry, Ray!