North Shore Rocks

Literally… Captured bouncing and rolling down the dense, Precambrian volcanic rock on the North Shore of Lake Superior in Minnesota last Summer. I recorded this sound with an AKG c4000b large diaphragm condenser microphone. No processing included. Just linear fades in and out.

North Shore Rocks



Three Story Buildings

How much processing can a voice recording take? I guess it depends on how badly you want to fuck it up. When it’s a recording of Donald Rumsfeld justifying the war on Iraq, I want to fuck it up as much as possible. That said, the recording is pitched and time expanded, run through a noise gate followed by a compressor, automated erosion, stereo delay (feedback at 80%, left at 5ms, right at 12.5ms, mix at 50%), and finally a reverb that creeps in with automated mix and decay. Enjoy!



“Get the Edge”

A while ago I was sampling audio from a late night Tony Robbins infomercial. Today’s sound is the announcer during that broadcast saying, “Get the Edge”. All I’ve done to it is some time expansion and a bit of pitch shifting to give it a robotic sound. Nothing new, but fun nevertheless.

Get the Edge




Distorted Percussion

In this category I am planning to post a new sound everyday. I may not have created the sound the very same day of the post, but it will be something recent at the very least and more than likely created on the day I submit it. The idea is something like my colleague Tim Armato’s p{365} blog where he is posting a Processing sketch every day for a year.

My goal is to learn more about some of the audio processing that is available to me. It’s not always convenient when working on a project to explore new plugins or new ways to use old ones, especially in the studio or while collaborating. With this exercise I can do that and archive the results here. I’ll briefly describe the process of creating each sound and something about the software and hardware involved.

Today’s sound is a loop of audio that has been heavily processed in Ableton Live with filter taps (Pluggo), distortion, eq, dub delay (MDA), reverb, and more. The loop is an excerpt from a remix of “Some Kind of Adhesive” (One Day to Save All Life) that I produced with Nils Westdal. Believe it or not it started out as a simple shaker pattern. To me it sounds similar to the over driven thumb pianos of Konono N°1, although this was an accident since I was basically tuning the pitches to work in the remix. After I added distortion and a little virtual knob turning on the dub delay, this is what I got.

Distorted Percussion

Internet Radio

Nova is a broadcast radio station out of Paris that also streams their programming over the internet. This radio station was made for me. Their broad programming is eclectic, funky, never repetitive and even on occasion delves into the avant-garde. One minute they’ll be playing Boards of Canada, and then the next their onto some Pharoah Sanders.

One reason why is so good is because of the time difference between Minneapolis and Paris. I’m rarely listening during peak hours. On the few occasions that this has happened I have noticed more advertising, news, interviews and French top 40. If that’s not your thing just check the time in Paris. The good shit starts happening after midnight.




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