Binaural Video of David Byrne’s Installation Playing the Building

On November 27, 2012 I made a binaural recording of David Byrne’s installation, Playing the Building (2012), at Aria in Minneapolis. During my session in the space I recorded a solo performance of myself, a duet with me and Jon Davis on bass clarinet, and a trio (DKO) with me, Graham O’Brien on drums and Jon Davis. I used a binaural head to record each performance. I have been interested in building a binaural head for some time, and finally got the parts together including a mannequin head, silicone ears, and overhead microphones capsules. I’ll share more about “Vincent” (the head’s name), and the rest of the recordings soon. For now here’s a video of my solo performance. Remember to listen using headphones in order to hear the binaural spatial effects. You’ll hear the installation surrounding you, a visitor bouncing a tennis ball off to the right, and occasional interjections of people in conversation.

DKO with Douglas Ewart and Steve Goldstein

Jon Davis extracted this three minute segment from more than two hours of improvisation we recorded using my PCM D-50 at our last monthly performance at the Acadia Cafe in Minneapolis, September 25, 2012. On this occasion we had the pleasure of joining forces with multi-instrumentalist Douglas Ewart and percussionist Steve Goldstein. The original post is on dkomusic.tumblr.com.

OEM: What is Organic Electronic Music to You?

Sometime in 2007 I came up with the term, “Organic Electronic Music” to describe music I was producing with bassist Nils Westdal in our project, Keston and Westdal. I’m sure that I wasn’t the only person to think of this combination of words, and in fact, a quick search reveals several artists, labels, and others using the phrase. Our use of the phrase was a reaction to our distaste for genre labeling. In hindsight it would have been sensible to define the meaning of the phrase there-and-then, instead of simply using it in a few descriptions for tracks and albums.

In any case I found myself thinking about this recently and decided that it wouldn’t hurt to define what I mean by the phrase and perhaps discover some new music that ACB readers feel fits into my definition. In my view any style of electronic music can be considered organic electronic music (OEM). Dub step, house, downtempo, experimental, or even minimal techno can be “organic” as long as the music meets one or more of a few simple criteria. Click the link to read my brief list of parameters.
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DKO Studio Rough Segment #2

Here’s the second segment that Jon Davis posted on our DKO Soundcloud page from our January session at Waterbury. This excerpt starts with meandering, free passages of bass clarinet and outside Rhodes playing then, at about two minutes in, descends into a distorted passage of dirge metal, complete with bombastic drumming.

DKO Rough Segment from Studio Session #1

On January 27, 2012 my trio DKO (Davis, Keston, O’Brien) spent about thirteen hours at the lovely Waterbury Studios in Northeast Minneapolis. We have yet to properly edit or mix any of the six or more hours of material that we performed during the session, but Jon Davis has condensed a few segments recently for sharing. Here’s one of those segments for your listening pleasure.