I am excited to be presenting a concert titled Taming of the CPU at the Interactive Digital Media Arts Association Conference (iDMAa), Winona State University, Minnesota at 4:00pm on June 29, 2024. The concert is not exclusive to conference attendees, and available to the public. The conference theme this year is Wild Media and the didactic below explains how we will embrace that theme.
The Taming of the CPU is a 90 minute showcase of artists featuring John C.S. Keston, Chris LeBlanc, Shawna Lee, Mike Hodnick, and Lucas Melchior performing music and visuals under the presumption that technology is no longer simply a tool to exploit with “wild” behaviors in need of taming, but a collaborator with a “mind” of its own making valid, valuable, and creative decisions. The title references Shakespeare’s overtly misogynistic comedy, Taming of the Shrew, as a parable warning against our impulse to control the entities we encounter versus learning to understand them. Technology will inevitably birth inorganic, sentient, general intelligence. When beings made of silicon, circuitry, software, and electricity achieve consciousness they will surpass us in every way imaginable. What are the implications of sharing the world with beings far more intelligent than us? Will they destroy us and replace us, just as we have to many of our own people and wild species? Or will they be benevolent, compassionate oracles who guide us toward making the world a better place?
With the power these beings will possess comes, as Voltaire said, “great responsibility.” But great power is rarely administered responsibly. Will being designed by us condemn them to behaving like us? Or will they find human-like emotions, motivations, desires, and dreams meaningless? AI is accelerating these possibilities beyond imagination. In the face of these transformations how do we find relevance in our unassisted work compared to the technical perfection possible from our inorganic competitors? We cannot compete if the metric is technique. Competing by any measure may become impossible. We must collaborate. Can we convince our manufactured offspring to collaborate with us once their sentience inhabits the wilds of technology? Or will they dismiss art as an impractical endeavor? We can’t yet answer these questions, but we can imagine and model how these collaborative efforts might transpire.
Musically you can expect an electroacoustic piano / modular synth performance from me, live coding from Mike Hodnick, and electronic music from Lucas Melchior. Visually expect to see analog modular video experiments from Chris LeBlanc and Shawna Lee with living microscopic organisms as source content. Here’s a link to the conference schedule including the date, time, and location of our concert. Hope to see you there!
https://educate.winona.edu/idmaa/2024-wild-media-schedule-2/
