Chris LeBlanc is a video artist who I have been collaborating with frequently for the last year and a half. The body of work that he has produced in this short period is remarkable. His improvised visuals for musical performances include mash-ups from rare VHS tapes of bizarre B-movies; usually of the sci-fi, horror, or fighting genres. He augments these mix tapes with circuit-bent Nintendos and a vast collection of other analog video devices to produce uncanny, audio-responsive, visual experiences that enhance musical performances and draw in listeners. Recently he added a modular video synthesis system to his rig and salvaged a nine-by-nine CRT video wall for display.
On Thursday, October 22nd Chris produced visuals for a solo performance of mine at a club with a projector and fifty-one flat screen monitors dispersed throughout the venue. Chris managed to display his video art on the projector and all of the flat screens during my performance. This lasted for about half the set until an irate bar manager found him and made him put the hockey game back on a few of the flatscreens. In addition to his performances he creates music videos and stills using the same equipment and similar techniques. After our most recent show I thought it would be great to share a discussion with Chris here on ACB. I interviewed him on what drives his decisions as an artist and how he makes his analog imagery so engaging while using content and technology from a bygone era.
Read on for the interview with Chris LeBlanc plus more videos and still photo examples of his work. Continue reading →
Here’s another video from the new Camp Dark album Nightmare in a Day. This video, created by Chris LeBlanc, is for the song Bad News.
New Camp Dark video by Chris LeBlanc.: Part bizarro media archivist and part analog glitch butcher, he takes the obscure movies that were left behind in the VHS era and uses their clips as source material for otherworldly visions. He uses old modified color processors and 90s video enhancers to bleed feedback loops and low rent special effects into unnerving video tape sequences where nightmares have tracking problems. Chris described his process a bit more here: “some effects in this video were achieved by taking apart a color processor and I detuned the hell out of it and made it a feedback loop. Then I chroma keyed in the feedback using a cheap video mixer so it looks super low rent and cool. There are a couple other analog processors in there for the neon colors too.”
This analog-sourced audiovisual piece is a collaboration with video artist Chris LeBlanc. The visuals were performed with a Hi-8 camera running through Tachyons+ and LoFiFuture processors, and keyed with a Bleep Labs synth. On the music end I’m playing my Moog Sub 37 through my Minifooger Delay and synched up to an Elektron Analog Four. I sent Chris separate signals from the Sub 37 and the A4 that he used to make the visuals respond.