About John CS Keston
John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research.
John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.
For some reason, pianos (struck or otherwise) always seem to suggest drones. Little ditty #1: here.
I like the way that turned out. Sounds like you started with audio from this post. What sort of processing did you use?
This track turned out to be a lot shorter than the one I thought I uploaded. I used ableton live. I made ten copies of the track, each looping a different eighth note displaced one sixteenth note from the beginning of the track. I distributed the ten samples across three tracks, one with granular delay, one with ping-pong delay, and one with chorus.
i used your file in a song of mine. i created it using Reason. loaded the sample into the NNXT sampler, ranging over all keys. i used the sample once in full somewhere at the beginning of the song, and later on the sample is being played back on different speeds underneath drumbeats and a bit solo.
i suck at mastering so the drums might be a little too loud for your taste. i might also suck at making music, but everyone tells me my stuff is great so i’ll never find out.
here’s the song:
http://lab.detrucker.nl/small.cat/small.cat%20-%20red.mp3
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