Absolutely nothing is distinguishable in these samples after all the processing that has been applied. My goal was to make a sequence of random samples sound as nasty as possible by applying down sampling, bit reduction, and distortion, then bring it back into something tolerable by applying some resonance filters and reverberation.
I automated the frequency and dry mix of the resonator so I could create some Theremin like pitch sweeping as well as bring in and out the noise of the bit reduced samples throughout the piece. What I ended up with is a palate of odd textures and diffused noise suitable for frightening the neighbors on a chilly Autumn evening.
Downsampled Fuzzed and Resonated
I captured this Minneapolis skyway busking regular playing a mean version of Moonshadow by Cat Stevens on his accordion today during my lunch break. 
A restaurant named Adelita’s near my house has one dollar ninety nine cent twenty five Ounce Bud Light taps on Thursday nights. They also have great food. Tonight I met a few mates there including Kevin, Justin, Nils and his wife Sarah for seventy five or so ounces of um… “beer” with delicious tacos and tamals (flautas shown). 
I programmed this beat and ran it through some pretty thick filtering followed by compression with a touch of delay automated in here and there for a few dub effects. Another technique I used to get some different fills going in the pattern was to add a MIDI arpeggiator and turn it on at certain moments to change the feel. The arpeggiator was programmed to randomize the notes in the sequence using specific note durations. I alternated between eighth notes and thirty-second notes. 
Subconsciously fulfilling the