It’s been a while since I have posted a rough mix, or musical idea for the One Sound Every Day category, so here’s an excerpt from something I wrote recently. It’s in very early stages, but has a high melody in 3/4 time along with some lower melodies in harmony with each other. The lower pitches are made up of the Rhodes Feedback that I posted an example of yesterday.
I cut up the feedback into sections that had specific qualities I was after, then I pitched them so that they worked underneath the high melody played on the Rhodes at an upper octave. Finally, after a couple of run throughs, I arranged the pitched feedback in real-time to form the passages heard in the excerpt.
Chlorobenzene Mistfall
In order to get this example of feedback I ran my suitcase model Rhodes, which I confine to my studio, through an outboard processor with some nice amp modeling and cranked up the gain. For the processing I used an eleven year old Yamaha A3000 sampler. The A3000 allows you to edit and apply processing to an incoming signal and it has some pretty nice sounding effects. Once I had adjusted the processing I held down the sustain pedal on the Rhodes and let the amplification do the rest. Tapping or gently knocking the instrument also produced some nice sounds. Here’s a snippet of the results.
This tiny sample of audio represents the instant that my iPod ran out of battery life while recording a performance of myself, Nils Westdal and Graham O’Brien on drums from Monday, November 17, 2008 at Cafe Barbette in Minneapolis.
This afternoon I stumbled upon another one of my recent FM synthesis experiments from November 2, 2008. On that day I recorded eight minutes of output from select randomized programs that I produced using a MaxMSP patch called X.FM. You can hear all of the examples I have posted so far by clicking on the
After several weeks of research I have finally made a decision and purchased a