Memory Man Saturation

Posted on by
Reply

One of my favorite external processors is my Electro-Harmonix Deluxe Memory Man delay. It’s mono, only has five hundred fifty milliseconds of decay, but it is one hundred percent analog gratification. My Sequential Circuits running through the Memory Man used to be a consistent part of my live keyboard setup.

I created this sound by setting up the delay as an external effect in Ableton Live then capturing the output in a separate track while adjusting the knobs. This short section was from the end of the recording after the guitar track I was running through it ran out. I had the feedback up pretty high as I manipulated the decay to get this result.

Memory Man Saturation

Excerpt of New Music

Posted on by
2

I’ve been working on some music composition and production for my upcoming album so I’ve not been doing as much experimenting with processing and sound design for the last few days. It’s mostly roughs at this stage, but here’s an excerpt from a new work.

This chunk of music happens to be the context for the arpeggio from the previous post and also contains a variation of the audio from Three Phase Oscillator.

Excerpt of Music from Title TBD

 

Blitzen Machine Excerpt #2

Posted on by
2

I have come close to finishing a track that I have been working on occasionally since September, tentatively titled Blitzen Machine after an ACB entry that contains a few bars of the original concept. What’s nice for me about exposing some of my techniques here is that afterward I have a resource to help me remember them. I have tons of archival recordings with sounds on them that I have little recollection of the process involved in making them. Perhaps another function of this blog can be to remind me what I did to make those sounds. Here’s an excerpt from Blitzen Machine that contains a little bit of the melody.

Blitzen Machine Excerpt

MIDI Arpeggiation in Ableton Live

Posted on by
4

I recenty had the opportunity to take a good long look at Ableton Live’s Arpeggiator MIDI effect. I have used it here and there in the past, but recently discovered how flexible it is. There are many more algorithms (labeled as styles) than I have seen on other arpeggiators (a total of eighteen styles) for a broad variety of patterns. This example uses the “Thumb UpDown” style. Imagine playing a sequence of notes on your right hand starting with your thumb, then index finger, back to thumb, then middle, etc. and that’s kind of what this particular style does to the notes fed into it. Other capabilities of the arpeggiator include a velocity ramp to manipulate the dynamics of the patterns, and typical parameters like retriggering, gate, and groove.

Solar Arpeggio

Transdimensional Bypass by ten72

Posted on by
Reply

Unearthed Music artist ten72 has completed a luscious album of sonic experiments titled Transdimensional Bypass (full length previews). This gapless collection of pieces has astonishing textural depth and sonic complexity; something that I’ve come to expect from ten72’s music, but surprising in this case since every bit of audio on the album was recorded on a mobile phone.

To make this a possibility ten72 has ingeniously used a profusion of processing to metamorphose the lofi, metallic sputterings of his mobile field recordings into an opulent dream scape of illusory audio. A single part of this anthology out of context is not the best way listen, but here’s Folds of Color to give you a tiny taste. The release will be available from Unearthed Music and major online distributors as a high quality download on January 8, 2009.

Folds of Color
from Transdimensional Bypass by ten72