Central Avenue Bridge Recording

I made this recording half way across the Central Avenue bridge from Northeast Minneapolis, to the downtown area. This bridge crosses the Mississippi, which was virtually frozen over except for water flowing rapidly over stages of a lock and dam system.

Huge formations of ice were hanging over the falls collecting on logs caught in the flow. The stereo image of the recording consists of the raging river below on the left hand side and sparse traffic on the right. I used the built in mics on the PCM-D50 covered up with a nice fuzzy wind screen like a winter hat.

Central Avenue Bridge Recording

 

Accidental Cable Noise

While working in the studio recently I plugged in a cable from an auxiliary send to record some bass and got some horrible feedback. So horrible that I was determined to record it. The reason I was getting the feedback was because the same send that I was using to record the bass happened to be turned up on the channel that I was using to monitor the signal. I realized this immediately, but the sound was quite interesting due to the subtle latency on the signal path caused by the digital hardware involved. Here’s a couple of layers of the feedback running through reverb. I also made adjustments to the pitch a time stretched the recording in a few places.

Accidental Cable Noise

Dirty Clavinet Sound

I recently recorded a few passages of clavinet on a piece I’ve been working on for a while. My Hohner E7 is still in disrepair, so I had to rely on a sampled version of the instrument. I processed the sampled version in a similar way to how I would have processed the real thing.

Generally I tend to try new things rather than rely on previous settings and techniques, however, I almost always starts with compression on the clav. This time, I followed the compression with amp modeling, chorus, and reverb. The context is the key to what kind of processing I’ll use on this versatile instrument.

Fire Diamond Segment

 

Live Looping: Not Just for Breakfast Anymore

A few years ago I created a technique for live looping in Ableton Live. I wanted to record and stop recording a clip in the session view without using a bulky MIDI foot controller. So, I came up with the idea of modding a mouse by connecting a simple sustain pedal into the left button. This way I could keep playing my instrument with both hands and record to any clip that the mouse cursor was resting on.

I found that I could do lots of other things while continuing to play two handed, like start a scene, stop a clip, mute a track, etc. Usually I reserve setting up my modded mouse for shows, but it’s a very useful tool in the studio for capturing two handed keyboard parts, like the Rhodes in this segment from a new track.

Live Looped Studio Rhodes