Keston and Westdal at Nublu NYC

One Sound Every Day entries are likely to be a little scarce until Monday or Tuesday because I’ll be in New York for a performance at Nublu. The group playing is Keston and Westdal with Graham O’Brien on drums. We’ve been busy preparing for this and other events lately, including the Spark Festival in Minneapolis. I’m excited to be visiting New York again. This will be our fifth performance there as Keston and Westdal, and the third time at Nublu, which is a really great venue. I’m also eagerly anticipating the Spark Festival having just learned that Pole will be performing on February 21, 2009.

That said, while I’m in New York I’m planning on making some binaural recordings of environments, street musicians, musical performances, and general mayhem as I encounter it, so I expect to catch upsoon after I return. New York readers and visitors, please stop by Nublu (between 4th and 5th on Avenue C) this Saturday, February 7. We’ll be playing two sets starting at midnight. Here’s an example of what you might hear during our show.

Ostracon
by Keston and Westdal (Unearthed Music, 2008)

Panopticon Rhodes Loop

This loop of Rhodes electric piano is the basis for the track Panopticon on One Day to Save All Life (Unearthed Music, 2008). I played the Rhodes through my Memory Man delay to get a sort of watery quality then captured the recording and looped it for the piece. Here’s one instance of the loop.

Panopticon Rhodes Loop

Pitched Loop from Some Kind of Adhesive

Here’s a short loop from one of our live sets. This clip is used in the piece Some Kind of Adhesive from One Day to Save All Life (Unearthed Music, 2008). I applied a little bit of knob turning on a few sends while laying down this segment, which is typical of how I use this clip during performances.

Pitched and Processed Loop

 

 

Musical Snowman Lighter with Pub Ambiance

Now that the holidays are behind us I think it is safe to post the sound of this very odd musical lighter shaped like a snowman. It plays a high frequency medley of Christmas tunes that will drive you and your family and especially animals crazy.

In spite of this, for some reason I had a strange affection toward this bizarre instrument. Perhaps it was the cheap metal construction, or the glistening lead paint. In any case, instead of engaging in the conversation with my companions at the pub, I pulled out my PCM-D50 and proceeded to made a recording of the lighter’s despondent squealing.

Musical Snowman Lighter in the Pub