Sound Captured from Kanta Horio’s Installation

Posted on February 21, 2009 by John C.S. Keston

Kanta Horio’s recent installation at the Spark Festival consisted of a room with a dozen or more sound making mechanisms suspended by wires. One of the mechanisms was a metal teapot with a magnet traversing its circumference. When I asked Kanta how this was achieved, he graciously removed the lid from the teapot and showed me an internal motor rotating another magnet just inside the inner surface. With some good luck and a bit of patience I was able to get a few minutes alone in the room and capture some of the fascinating sounds that his piece was producing. Please note that no loud speakers were used in Kanta’s piece. This recording is a snapshot of the acoustic sound produced by the mechanisms involved.

Kanta Horio Sounds

Michael Croswell at Spark Festival

Posted on February 19, 2009 by John C.S. Keston

Here’s a short section of Michael Croswell’s ambient combination of french horn and sampled industrial sounds from his performance on Wednesday, February 18, 2009. This was the first “Nightlife” performance at Spark, and lots of really great music has happened since, so there is much more to come.

This is one of the first times I have used the Sony PCM D-50 to record a performance other than my own. What was nice about this instance is that the audience was very quiet. Micheal’s music was quite dynamic throughout his entire performance, but in very slow sweeping waves with few abrupt movements. This recording would not have been possible with a noisy audience.

Michael Croswell

Long Sequence in a Quiet Subway Station

Posted on February 18, 2009 by John C.S. Keston

I like this section, from a seven minute recording in a relatively quiet New York Subway station, because of the quality that the voices and environmental sounds take on in the very reflective surroundings. Tile, cement, glass, and metal surfaces cause the sound waves to reverberate back and forth in a confined yet expansive maze.

Quiet Station

Filthy Rhodes Loop at 110bpm

Posted on February 17, 2009 by John C.S. Keston

Love it or hate, the Rhodes is here to stay. Eventually we will have the Rhodes Mark 7, maybe even this year? Perhaps, in the distant future, after the patents expire, the Rhodes mechanics will become part of the public domain, similar to the acoustic piano, and be produced by a variety of companies. There might be a nine foot grand Rhodes, a studio Rhodes, a baby Rhodes, and an upright Rhodes. This chunk of “studio” Rhodes is running through loads of processing including MDAs RezFilter, delay and who knows what else.