Gravité from Renaud Hallée on Vimeo.
It has been around for a while, but I just came across this very clever piece by Montréal based artist, Renaud Hallée. His composition uses video and sound from falling objects edited together to produce some nice rhythms with a few unexpected twists. Hint: it’s not all tennis balls.
I just got word from Flora Watters about an event [Update] coming up on Wednesday the 21st and 28th of April in London titled The Art of Sound: IP Rights for Music-focused Digital Arts. From the article:
When it comes to cross collaboration in multimedia art forms, the lines can get blurred in terms of who owns what when there is more than one author. This is typical in terms of digital art forms where varied creative input has been pooled together to create sound scapes, or in the use of sampled music to build installations or to create performance pieces. When working across the creative spectrum with DJs, VJs, music producers, visual artists, filmmakers and owners of performance spaces, professional multimedia artists can protect their work by outlining agreements such as licensing contracts, copyright assignments and contracts with live venues. This event will take an in depth look at issues of intellectual property (IP) and Creative Commons licenses for multimedia artists sharing work and ideas in the field of music.
The event is free and open to the public, so if you’re in the area check it out and let us know how it went.
Rock This from Jawara Hughes on Vimeo.
I was quite pleased with this project for my audio production class that was produced recently by Jawara Hughes. Around mid-term I introduced Propellerheads Reason to the class. This was only the second time that Jawara used Reason to create an original track. He added the vocals and finalized the piece in Pro Tools. Congratulations, on an excellent piece of electro-funk-meets-kinetic-type.
Motherboard.tv has just released the second episode of their Sound Builders series featuring sound designer and composer, Diego Stocco. This is a really nice glimpse into Diego’s fascinating working method. If you’re unfamiliar with Diego’s work, make sure you visit his site and check out the videos of his recent creations, and sometimes destruction.
This Monday, March 29, 2010 is the second installment of Experimental Music Mondays curated by John Keston. The line-up this time includes Pawlic (Jesse Pollock) and Terr the Om (Nathan Brende).
Sandwiched between them is Ostracon. This is the name I’m using for the plural version of Ostraka. This instance involves the usual characters, John Keston (aka Ostraka), Graham O’Brien, and the addition of Oliver Grudem who will be interjecting his enigmatic imagery as an input source for the generative musical phrases produced by the GMS.
The venue is the Kitty Cat Klub, 315 14th Avenue SE, Minneapolis, Minnesota. The music starts at 9:00pm.