Power Tool Percussion

Today I decided to record my electric drill. It was on a list of “things i need to record”. Power tools make some great sounds with all sorts of textures and frequencies. I captured the sound of the drill in stereo at a variety of speeds. I also got the sound of switching the drill from forward to reverse. Afterward I chopped it up into a percussive loop and ran it through beat repeat to get a nice mechanical loop going.

Beat repeat has pitch decay setting that incrementally lowers the pitch of repeated slices, which you can hear in the piece. I also maximized the chance settings to increase the likelihood of repeats happening and the variation setting to vary the length of the slices used in the repetition.

Power Tool Percussion

Oxotremorine

I created this piece today by starting with a few percussive micro samples from a recent field recording and using them as percussion. After programming a simple pattern I ran it through Pluggo’s Harmonic Filter and resampled the results to get two musical loops; one with a low frequency hit that forms the bass in the piece and another with a simple descending melody.

I put a triplet ping-pong delay on one send and an enormous reverb on another then made a quick 1:40 minute mix to hear how it all sounded together. I haven’t explained all the details by any means, so if you have any questions about what you’re hearing post a comment and I’ll give you more information.

Oxotremorine

Ominous Synth Drone

I programmed a couple of parameters in a VST synth to a controller, set a single note (C1) to play for three minutes and eleven seconds, then recorded the automation. The parameters I was manipulating in real time were the shape of the waveform and the frequency. After recording the automation I added a bit of compression, a nice slow chorus to give it a left to right sweep, and a short delay with a lot of feedback for some added atmosphere. The image is just a snapshot from my photos and has nothing to do with the sound, but you’ve gotta love stick figure warning messages.

Ominous Synth Drone

 

Sound of the Economy Flushed Down a Million Electric Toilets

To create this sound I took the bubbles sound from yesterday and programmed it into a simple sampling VST. I built a pattern of chords in a MIDI clip that covered a wide range of frequencies for the sample simultaneously. This created a sort of spectrum of pitches. The next step was to spread that spectrum of pitches by resampling the output in a processor called Fragulator that effectively chops up the sample into fragments that can then be automatically looped at different frequencies.

I automated the speed and size of the samples so that I could go from a high-frequency-electronic-stock-market-crash effect to a fragmented-toilet-gurgle-of-lost-revenue sound in a fraction of a second with a controller. I hope you will enjoy listening to this sound more that watching your savings evaporate.

Pitch Spectrum

 

Tracker Stop Effect

I have been busy today working on four or five separate mixes and managed to finalize two of them, maybe. We’ll see how my ears respond after some rest. Anyway, during the last bit of work I was doing I noticed that one of the processor chains was causing insteresting random sounds whenever I pressed stop in Ableton Live. I decided to capture some of these sounds and see if they might be useful in the track.

Live has a great “resample” feature, but it was no use it this case because the only way to create the sound was by pressing stop and when you do that it stops recording. So I opened up Audacity and attempted to route the output from Live into it. After about five minutes I realized this wasn’t working and turned to the web for an answer. I quickly came across Soundflower (Cycling ’74), a “Free Inter-application Audio Routing Utility for Mac OS X”. This allowed me to route the audio to Audacity as I performed starting and stopping in Live. Here’s an edited version of the results. Warning: I normalized the render and it starts out extremely loud.

Tracker Stop Effect