I am pleased to announce that I will be presenting at Moogfest this year! I will stand humbly along side Yuri Suzuki, Felix Faire, Yoon Chung Han, and Scott Snibbe participating in “an afternoon exploring alternative interfaces for sound generation and manipulation, and the future of visual music” programmed by Eyeo Festival organizers including industry visionary Dave Schroeder. Checkout the Moogfest site for more details.
Category Archives: Performance
Multitouch on a Mac without a Touchscreen
As you may have noticed it’s been a little quiet around here lately. The reason for this is that since the end of 2013 I have been keeping myself busy with a studio remodel (more on that later) followed by concentrating on preparations for a performance (I’m pleased to announce) at Echofluxx 14 in Prague, May 2014. Here’s a quick note about Echofluxx 13 from their site:
The Echofluxx 13 is a festival of new media, visual art, and experimental music produced by Efemera of Prague with Anja Kaufmann and Dan Senn, co-directors. In cooperation with Sylva Smejkalová and early reflections, the Prague music school (HAMU), and Academy of Fine Arts (AVU), Echofluxx 13 will present international and Czech presenters in a five-day festival at the Tracfačka Arena in Prague, Kurta Konráda 1, Prague 9, May 7-11, 2013. For more information contact: info@echofluxx.org
I’ll discuss more details about this upcoming performance in another post. For now I would like to bring attention to the possibility of using the Mac trackpad and/or Apple’s Magic Trackpad for multitouch. My performance at Echofluxx involves using custom built software to loop granular audiovisual media. This idea evolved from projects in the past that used a 32″ touchscreen. This time the media will be projected, so I naturally decided to use the iPad as the controller. I built the project using Cycling ’74 Max and MIRA, which was very convenient, but I couldn’t get over the latency using the iPad over WiFi for multitouch controls.
I decided that the most convenient alternative would be to use the trackpad on the Mac laptop. Max has an object called “mousestate” that polls button-status and cursor-position information from the default pointer device. However, it is not designed to take advantage of multitouch data. This is where Fingerpinger comes in. Fingerpinger was able to detect ten independent touch points (perhaps more but I was out of fingers) on the built in trackpad on my MacBook Pro. Which begs the question; how did I take that screenshot?
Ten touchpoints on such a small surface is probably impractical, but I only need two; one for X-Y data and a second one for volume. Most importantly I wanted the audiovisual content to be activated simply by touching the trackpad rather than having to click or hold down a key. Fortunately Fingerpinger has a state value for each touchpoint that I was able to use to activate on touch and release. The latency is hardly noticeable compared to an iPad over WiFi, and I have also simplified my setup meaning I can travel with less equipment and rely on fewer technologies. I still like the idea of using an iPad for multitouch controls, mostly because of the opportunities for visual feedback. But for this particular application Fingerpinger is a great solution.
Postfauxpocalypse Excerpt No. 5
This is the fifth excerpt from my Ostraka performance, “Postfauxpocalyse,” on October 24, 2013 at Popup Northrop. It was recorded directly from a Mackie 1202 VLZ Pro to a Sony PCM-D50 at 48kHz/24bit. Again the instruments used were a DSI Tempest, Korg Volca Keys, Korg Monotribe, and Memory Man analog delay. This is my favorite of the series so far because, although improvised, it feels the most compositional.
Postfauxpocalypse Excerpt No. 4
This is the forth excerpt from my live performance, “Postfauxpocalyse,” on October 24, 2013 at Popup Northrop. I recorded it directly from a Mackie 1202 VLZ Pro to a Sony PCM-D50 at 48kHz/24bit. Again the instruments used were a DSI Tempest, Korg Volca Keys, Korg Monotribe, and Memory Man analog delay.
Postfauxpocalypse Excerpt No. 3
This is the third excerpt from my live performance, “Postfauxpocalyse,” on October 24, 2013 at Popup Northrop was recorded directly from a Mackie 1202 VLZ Pro to a Sony PCM-D50 at 48kHz/24bit. Once again the instruments used were a DSI Tempest, Korg Volca Keys, Korg Monotribe, and Memory Man analog delay.