On Wednesday, November 22nd, 2017 Sound / Simulacra featured Bloodline at Jazz Central Studios. Bloodline is Peter Hennig (percussion), John C.S. Keston (Rhodes, synthesizers), and Cody McKinney (bass, vocals, electronics). During this concert, captured by Dave Kunath, we performed three pieces as a trio as well as solo pieces from each member of the group.
On Wednesday February 22nd, 2017 Sound / Simulacra featured Graham O’Brien at Jazz Central Studios. This was only the second event in the series and somehow these recordings captured by Dave Kunath slipped through the cracks. Fortunately I came across them recently so I can share them now. This concert was shortly before Graham and I performed for Merce Cunningham: Common Time at the Walker Art Center. During this period we were trying a lot of things with aleatoric techniques. This included graphic scores with chance elements, randomized digital sounds that Graham triggered from his acoustic drums, and randomized sound design I was triggering from the PreenFM2.
On Wednesday April 25th, 2018 Sound / Simulacra featured Mankwe Ndosi at Jazz Central Studios. Mankwe is a fearless performer and vocalist who filled the room with her extraordinary presence, captivating movement, and distinctive extended vocal techniques. This recording is from the last set of the evening when me and Cody McKinney joined Mankwe to form a trio.
On Wednesday, January 23rd, 2019 Sound / Simulacra will start off the New Year presenting Michael Masaru Flora at Jazz Central Studios.
Flora is a Minneapolis based artist working with sound in various contexts. Within the intersections of art, science, music, and mathematics, he creates work that examines sonic morphology, spatialization, and human perception. Flora’s practice includes installation, performance, recording, and curation as well as numerous collaborations with artists in the fields of transdisciplinarity, visual arts, dance, and performance art. His work has been presented at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), St Cloud State University (Minnesota) as well as clubs, galleries, theaters, warehouses, and universities throughout North America. His latest recording “Xi” was published by Minnesota based label Sympathy Limited.
Sound / Simulacra is a monthly series produced by John C.S. Keston and Cody McKinney which explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra brings together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal.”
Set 1: Michael Masaru Flora solo performance
Set 2: Michael Masaru Flora with John C.S. Keston and Cody McKinney
Here’s a link to the event details on Facebook
Aniccha Arts premieres a performance installation inside a seven-level parking garage. The project asks questions about transience, migration, and stability in a space that temporarily stores cars and is home to nothing. Performers pervade the parking structure with their bodies, working against the visible slant of the ramp to find their individual verticality. Questions we asked in creating the work: How do we find softness in a landscape of concrete? What anchors us on these alternating planes? How do we connect across such a complex landscape? video by: Cully Gallagher
This video by Cully Gallagher is 3 minutes and 30 seconds of fragments from the approximately 44 minute long Parking Ramp Project. Composing music for this performance installation showed me how far it is still possible to explore improvised music through experimental processes. Considering the acoustics of the parking ramp was a critical consideration within the musical scope. One approach to this was rests coded into the algorithms that allowed for the music to decay during long pauses while the ambient sound of the space inserted itself as an unintentional “performer”.
I am humbled by the willingness of the Pramila Vasudevan and other collaborators to humor my absurd scheme to compose the work using Javascript. This language allowed me to quickly produce animated, generative, graphic scores. It was also a privilege to perform the music with Peter Hennig (drums) and Cody McKinney (bass/electronics) who effortlessly interpreted the graphic scores. You can read and hear more about the project or continue for a gallery of screen grabs from the animated graphic scores. Continue reading