The Taming of the CPU 4.0

This Friday, April 21, 2017 will mark the 4th event we’ve affectionately titled, The Taming of the CPU. This time we have the privilege of being hosted by the Icehouse Minneapolis. Tickets are on sale now and available at the doors (opening at 10:30pm). The performers include myself, Mike Hodnick (Kindohm), Lucas Melchior (MKR), and Chris Leblanc with Michael Lund doing their famous modular-analog-video-liquid-light show. Expect to hear a broad range of electronic music from Kindohm’s virtuosic live coding to MKR’s Ableton prowess. I’ll be towing an all hardware rig including Rhodes electric piano, Moog Sub 37, a Pyramid Sequencer, and several other bits and pieces. Here’s the official spiel:

Taming of the CPU 4.0 brings together three award winning electronic musicians with two like minded visual artist to create a futuristic, immersive multi-media experience. Huge sounding hardware synthesis is combined with intricate live coding, and lush laptop arrangements while modular video synthesis and liquid light shows are displayed and synchronized to the music.

Read on for more information about the artists including bios and video examples: Continue reading

Merce Cunningham: Common Time with John Keston and Graham O’Brien

This Thursday, March 30, 2017 I will be performing two 30 minute sets of music with Graham O’Brien at the Walker Art Center as part of the Merce Cunningham: Common Time series of events and exhibitions. Our performances start at 5:30pm and 8:00pm in the Perlman Gallery and feature former Merce Cunningham dancers. Here’s a one minute teaser recorded during a recent rehearsal. The concert is free and open to the public. Visit the Walker Art Center for more details.

Sound / Simulacra: Cody McKinney & Jeremy Yylvisaker

The Sound / Simulacra series is hosted by myself and Cody McKinney at Jazz Central Studios in Northeast Minneapolis on the fourth Wednesday of every month. If you haven’t made it any of these shows you’re not entirely out of luck. They are all being recorded and I’ll be sharing excerpts here on AudioCookbook. The first event in the series was a duet with Cody McKinney and Jeremy Ylvisaker on January 25, 2017. Their gorgeous improvisations were faithfully captured by sound recordist, Dave Kunath. Enjoy!

Jeremy Ylvisaker is a multi-instrumentalist from Minneapolis, Minnesota. He is a member of the indie rock bands Alpha Consumer (with Michael Lewis and JT Bates) and The Cloak Ox along with Andrew Broder of Fog, Mark Erickson and Dosh. He plays guitar in Andrew Bird’s touring band alongside Martin Dosh on drums and Michael Lewis on bass.

Cody McKinney works with sound by actively theorizing, organizing, practicing and challenging its properties. He studied bass and improvisation under many luminaries including: Johannes Weidenmueller, Bruce Gertz, Jim Black as well as composition under Kirk Nurock, Rory Stewart, Steve Lehman and Diane Moser. Cody’s group, Bloodline, along with John Keston and Pete Hennig, have recently recorded an album due out mid 2017.

Keston and Westdal at Nublu, NYC Circa 2009

I just had a listen to these videos of Keston and Westdal with Graham O’Brien on drums at Nublu in New York, Feb 7, 2009. The eight year old recordings were shot by my mate, Benjamin Montag, who is responsible for the majority of the art and design work for Unearthed Music, including the art on my new solo album, Isosceles.

I was using the Nublu house Rhodes, which I repaired earlier that night replacing a couple of broken tines and tuning a few notes. I brought along a laptop and interface to live-loop the Rhodes and send a click track to Graham. I borrowed the Korg MS2000 from Simone Giuliani. You may also notice distortion on the Rhodes at about 6:47. For that I brought along my BOSS DF-2 Super Distortion & Feedbacker pedal, which I have been using on Rhodes since the ’90s.

Since I had the laptop to loop the Rhodes in Ableton Live I ended up a few nice phrases that I ended up posting here on Audiocookbook. For example, in one post I shared a nice phrase and discussed my repair job before the gig and another includes a field recording inside a taxi on the way to the show. Checkout a few archival recordings from the gig below:

Rhodes Loop from the Nublu Backline
Another Rhodes Recording from Nublu
Segment of Recording from Nublu
Inside a Taxi in New York with Ben and Simone

Music for Merce: A Two-Night Celebration

In case you’ve been sleeping under a rock for the last few weeks (I wouldn’t blame you if you were), the Walker Art Center is currently neck deep in a months long series of exhibitions and performances celebrating the life and work of choreographer Merce Cunningham. Merce Cunningham: Common Time includes a series of dance pieces in the Perlman Gallery with live musicians and former Merce Cunningham dancers. I have the privilege of performing on March 30, 2017 with Graham O’Brien for one of these ten Walker Cunningham events.

Also included is Music for Merce: A Two-Night Celebration on February 23 & 24, 2017 in the McGuire Theatre. These two nights will feature the likes of David Behrman, Christian Wolff, and Joan La Barbara to name a few. Here’s a blurb from the Walker about these extraordinary concerts:

Cunningham and longtime partner/composer John Cage were renowned for their legendary collaborations with the most significant experimental musicians of the late 20th and early 21st centuries. Join us to celebrate this remarkable legacy over two historic evenings with a festival of music and sound performances curated by composer/guitarist John King. Featured with King are electronic music pioneer and longtime Merce Cunningham Dance Company associate David Behrman, contemporary classical composer Christian Wolff, and composer/performers Joan La Barbara, Fast Forward, Ikue Mori, George Lewis, Zeena Parkins, and Radiohead’s Philip Selway with London multi-instrumentalist Quinta. Each evening consists of a separate set of solo, duo, ensemble, and landmark works, concluding with a collectively made real-time composition.

Visit the Walker Art Center to get tickets for one or both nights of music. I for one am thrilled to be a part of this series and look forward to participating as an audience member and a performer.

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