Here’s a recording I made last weekend on our second night of camping during the MS150 fundraiser cycling event. The weather for the ride was actually fairly dry, but in the early evening we experienced a brief downpour after the first stage of the ride in Hinckley, Minnesota. As I waited out the rain in my tent each drop of water that landed made a nice popping sound. The recording sounded much different than I expected, almost like static with a surprisingly wide stereo spectrum.
In contrast to the last entry, here’s the same Mississippi river water flowing out from a different part of the same dam. Obviously the frequency is much lower as well as the amplitude.
I actually boosted the volume considerably after using the same level settings as the previous recording.
The sound of the water going over this section of the Coon Rapids dam across the Mississippi river about fifteen miles North of Minneapolis, was deafening. Virtually all other sound within the environment was drowned (no pun intended) out by the fierce white water noise. I made a recording that is about a minute and a half long. Here’s about thirty seconds of it, but my questions is what would one use this sort of sound for, other than water over a dam sound effects?
Hi, my name is Graham O’Brien and I’m a drummer, audio engineer, and composer living in St. Paul, MN. I play in some really fun bands around town (including Keston & Westdal!) and specialize in drumming and writing for sequenced music. And having gotten a recording degree, I do some work recording and mixing radio commercials at Marketing Architects ad agency in Mineeapolis. I also am building a drum recording studio in my basement that’s coming along really well and I’ll be posting plenty of really cool stuff from there. Now, for my first post to Audio Cookbook.
This is a short but pristine recording of me opening a can of Mendota Springs Sparkling Water (Lemon flavor). I recorded it at the radio production studio I work at, and the recording chain is amazing. First we tuned and sound-proofed the recording booth down to -32dB of isolation. Here’s the recording chain:
Neumann U87a (cardiod pattern, hi pass off)> Great River Electronics MP-2NV Mercenary Edition Class A Mic Pre > Langevin Electro/Optical Compressor/limiter > Pro Tools HD via 192 i/o interface
This recording was done at 44.1Khz, 16bit. The only processing I used is the Massey L2007 Limiter to make it louder: mendota-springs-can-loud
Until now the sounds presented on ACB have included just about everything except the janitor’s sink. So here it is, recorded in the Grandpa-George building, just outside their studio space. This is the sound created by the plumbing resonating as the hot water runs through the pipes. Apparently the sound doesn’t happen with cold water, and it takes a minute for it to happen with the hot water turned on. For some reason the pipes don’t resonate unless they have hot water running through them. Derrin played the sink while I recorded the results on the Sony PCM-D50.