Midnight Playground

Midnight Playground is an interactive, kinetic, installation by Peng Wu, Jack Pavlik, John Keston, and Analaura Juarez. Peng initiated and directed the idea, Jack built the jump rope robot, and Annalaura helped refine the concept and promote the piece. My role was to produce the music and track it to the still images that Peng had selected. I ended up making a one hour video with thirty minutes of the image from the moon followed by a four second transition into another thirty minutes with an image of Mars. To produce the sound I gave Peng a list of audio excerpts that had all been previously posted on AudioCookbook in One Synthesizer Sound Every Day. He picked the two that he thought would work the best and I went back to my original recordings and processed them specifically for the piece by adding some reverb and delay to enhance the spacial properties of the music. The piece will be on display in Gallery 148 at the Minneapolis College of Art and Design through January 29, 2012.

Forgotten Channels

Forgotten Channels is a generative music and projected video performance piece that aims to discover connections between our visual memory and our response to peculiar soundscapes.

The visuals for the piece are made up of fifteen shots selected from hundreds of mobile phone videos. The videos make up a score that was prepared by playing them on a large LCD display then re-shooting them with another mobile device to frame mysterious elements and expose the imperfections within the digital media.

To perform the piece the visual score is abstracted again by playing it on yet another mobile device positioned below a camera plugged into a computer. Custom software analyses the input to produce a real-time stream of algorithmic music. The musical information is captured and manipulated by the performer in response to the imagery.

The Subliminal Kid in the Studio

Low-Gain shared this video with me as inspiration for our performance tonight at the Honey Lounge. Although it’s a few years old, I hadn’t encountered it before. I enjoyed it thoroughly (several times) and thought it would be good to share it here.

Oberheim OB-8 Oscillator Synchronization

This is a sound programmed on the Oberheim OB-8 using the oscillator sync mode. I set each oscillator to the pulse wave, enabled sync, then modulated the frequency of the synched oscillator. This made a very rich sound and when I viewed it on the oscilloscope I saw these crazy animated castle walls going by. I used my Nexus One to shoot the screen then added in the recorded audio so you can properly hear how it sounded.

Battle of Everyouth Video Documentation

On June 4, 2011 the Battle of Everyouth was staged and performed outside of the Minneapolis Institute of Art (MIA). I performed improvisational music non-stop for three hours with Luke Anderson (electronics), Jon Davis (bass, bass clarinet), and Graham O’Brien (drums, percussion). This video documentation is accompanied by bit and pieces from the board mix during the event. My instrumentation included the Rhodes electric piano, Sequential Circuits Pro-One, Electro-Harmonix Memory Man Delay, and Korg Monotron.