Radio Static Part 1

As I have mentioned in previous articles, I love knobs. This includes the tuning knob on AM/FM radios. For today’s sound I decided to record my old Panasonic tuner. I took a mono direct signal into my M-Audio Firewire 410 and started tuning. What I was after is that static sound between stations, and the tiny chunks of speech and music that pop through as one spins the dial. I started with FM, switched to AM, and then back to FM recording close to ten minutes worth of audio. This particular tuner wasn’t much good for producing the gliding theremin like tones you sometimes hear, but I got some good static and random micro-clips of music and speech. Here’s a snapshot of one of the sections I’m satisfied with.

Radio Static Part 1

Meditation Bell

Nils Westdal and I recorded these bells for a percussive element in one of those tracks that have yet to see the light day. These beautiful solid brass bells have more than twenty seconds of decay. We recorded nineteen of those seconds. We used an AKG c4000b large diaphragm condenser microphone to capture the sound. The c4000b is one of the most versatile and sensitive mics I’ve used. It’s perfect for capturing all that sustain and high frequency goodness. Take a deep breath, cross your legs, close your eyes and press play.

Meditation Bell

AudioCookbook.org on Create Digital Music

Special thanks are in order for Peter Kirn, editor of Create Digital Music (CDM), for posting an article about AudioCookbook.org on CDM. You may have noticed that CDM has been linked here since I started the site. It’s one of my favorite sites relating to modern music production with tons of great resources and articles. I highly recommend it for anyone interested in music technology.

In the article Peter writes, “Sound design secrets have traditionally been closely-guarded secret sauce. But in the age of the Web, the opposite is happening: people can actually enjoy sharing what they’re doing, just as passionate cooks chat about recipes on food blogs. Case in point: reader John Keston writes to tell us about AudioCookbook.org, on which he’s blogging a new sound each day. Not only is this a nice way to talk about techniques with fellow enthusiasts, but it’s a great example of how you can use blogging to encourage you to get things accomplished, rather than just distracting you.”

Check out the complete article on CDM.

Synthesizer Fifths Drone

I added some delay to spread the stereo spectrum on this synthesizer drone of a low frequency fifith interval. During the recording you can hear the cutoff frequency changing as I turned the knob for it. On my most often used synth, the Korg MS2000 that was used for this recording, the surface around the cutoff frequency knob has been polished smooth from wear. I use it much more frequently than the modulation wheel or pitch wheel. I love knobs.

Synthesizer Fifths Drone

Electric Razor

In January, 2008 I wrote about the sound design I had produced for an animated short film called “Drown” (43mb – right click to download the movie) by Aaron Dabelow. In that entry I illustrated how I created ambiance for the underwater atmosphere of the piece. Here’s a recording of my electric beard trimmer. I used it to create the sound for the mechanical humming bird like creatures in the film at about 1:08 minutes.

As I was recording I moved the beard trimmer past and around the mic to simulate the movement of the creatures, which use high speed rotary fans for locomotion. Once I synchronized the the audio to the animation it seemed to fit quite well. As you can see, it’s probably about time that I stopped recording electric razors and started using them on my face.

Electric Razor