Call for Artists: Videographer / Sound Design

I am currently working on an MFA in interactive media at the Minneapolis College of Art and Design in Minneapolis. My thesis project involves musical improvisation and various environmental and sensory influences that impact soloists and ensembles. To explore these ideas I am performing at the Compound Gallery, Minneapolis on December 7, 2012. The performance integrates an hour-long audiovisual score composed from crowd-sourced video content. The idea is to collect recognizable segments of non-dialogic, everyday video/sound from society (things like traffic, factory machinery, water dripping into bathtubs, the list goes on). We are looking for on site sound in the video that would be interesting as a layer within an experimental music context. To submit, please send an email with the following details to audiovisualscore@audiocookbook.org:

  1. Link(s) for one to three HD videos on vimeo.com or youtube.com, each with a length between 30 seconds and 3 minutes.
  2. A Drop Box (or comparable service) link to download the video file(s) at full quality.
  3. List the camera, resolution, length, and microphone used to capture the audiovisual content.
  4. Include your full name, email, and link to a site of your choice for attribution (artist portfolio, etc.).
  5. State that you are allowing us to use the video in the performance on December 7, 2012 and the documentation produced afterward about the performance (video will be attributed to the artist).
  6. A statement that the video is the sole property of the artist and does not violate any copyright laws or restrictions.

Please submit these materials by no later than November 21, 2012. Submissions from around the world are acceptable. Sound and video quality are important, but if you have something interesting that was shot with a mobile phone submit it anyway. It might just be what we’re looking for. The upcoming exhibition titled Frank also features the work of first and second year MCAD MFA graduate students. The performance is open to the public. On December 7, 2012 the doors will open at 6pm and our performance goes from 8pm to 9pm. Compound is located at the Whittier Studios, 2840 Grand Avenue South, Minneapolis, Minnesota 55404.

DKO with Douglas Ewart and Steve Goldstein

Jon Davis extracted this three minute segment from more than two hours of improvisation we recorded using my PCM D-50 at our last monthly performance at the Acadia Cafe in Minneapolis, September 25, 2012. On this occasion we had the pleasure of joining forces with multi-instrumentalist Douglas Ewart and percussionist Steve Goldstein. The original post is on dkomusic.tumblr.com.

Coloring Time at the Deepwinter Bonfire

Recently I participated in a performance with a collective of musicians called Coloring Time. The show took place on Saturday, January 28, 2012 at the History Theatre in downtown St. Paul, Minnesota and was sponsored by McNally Smith School of Music. Performers include: Crescent Moon (Kill the Vultures), Kristoff Krane, Chastity Brown, Aby Wolf, Peter Pisano (Peterwolfcrier), Joe Horton (No Bird Sing), Michelle Kinney and Melissa Mathews (Mississippi Peace), Chris Thomson, Bobby Mullrennan (No Bird Sing), Casey O’Brien (Face Candy), John Keston (Ostracon, DKO), Graham O’Brien (Mississippi Peace, No Bird Sing), and many others. This video is from the last six minutes of the performance. Apparently there’s much more to come. If it’s as lovely as this segment I will share it here when it shows up. Enjoy!

D.O.G. (DKO/Ostracon/Ghostband) Debut

Don’t miss the debut of D.O.G. Three people, three bands, three totally distinct concepts. This event features performances by DKO, Ostracon, and Ghostband, Wednesday, November 30 at the Honey Lounge, 205 E. Hennepin, Minneapolis, MN (Doors at 9:00pm, 3 bands, $5 cover, 18+).
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Segment of Ostracon Live

isight_lightThis segment from the piece Ostracon by Keston and Westdal was recorded on June 21, 2009 at the Kitty Cat Klub with Graham O’Brien on drums. This was toward the end of the piece and the laptops weren’t doing anything except providing a click for Graham. All of the obligations to the arrangement had been met, so with a small, but dedicated audience we let ourselves wander into an extended improvisational outro.

Ostracon Outro Without Laptops