Superheated Water – Dance of the Blobs

Posted on January 25, 2010 by lost track

I love the texture of this sound – it’s infinitely sampleable, and equally uncontrollable. A thin coating of oil, rubbed into the pan – then heat it on high for 5 minutes. After a while, the water becomes so hot and isolated from the surface of the metal it superheats (boils without bubbles). This creates the beautiful dancing effect you get, similar to when mercury is loose on a solid surface.

The recording was made on a fostex FR2LE with a canon digital camera for visuals. The single hits would be cool for super fizzy percussion, don’t you think? Sampled at 24/96 on a fostex fr2le in stereo, 12 inches above the pan.

Tom

High quality download here:
Superheated oil and water – dance of the blobs

YOUTUBE link – Superheated Water & Oil – Dance of the Blobs

Bicycle Converted into a GMS Input Device

Posted on January 24, 2010 by John CS Keston

Checkout this video made by Chris LeBlanc. Chris is using LEDs attached to a rotating bicycle wheel as an input device for the GMS. Chris and I had a session recently where I showed him ow to sync the GMS up with Ableton, and the next thing you know he’s come up with a new way of using the software. Nice one, Chris!

Generative Accident – Dripping Water

Posted on January 10, 2010 by lost track

drip I have been re-reading articles on Generative music in Audio Culture : Readings in Modern Music again, and some unplanned generative music took me be suprise – dripping from my jumper.

I set up a few cardboard loo rolls to resonate with the sound and stood around for 5 minutes recording it all. There are some really interesting syncopated moments, all underpinned with a regular metronomic beat. I liked the intrusion of external sounds to the mix, as you listen on. A Happy accident

Tom

generative dripping clothes

rec@24/96 with rode nt5 and fostex fr2le, minimal eq

Spark Festival 2009 Documentation

Posted on December 16, 2009 by John CS Keston

A website was recently launched by Andrea Streudel and Ali Momeni containing vast amounts of video and audio documentation for the 2009 Spark Festival. I’m going to be spending some time reliving some of my experiences there from last February. This is an incredible archive of materials from the festival. Something from virtually every performance, installation, keynote, and concert is available. To get an idea of the festival and the scope of the documentation I suggest watching the Spark Festival 2009 Overview.

And I would be remiss if I didn’t suggest watching the footage of my group Keston and Westdal with Graham O’Brien at the Bedlam Theater during one of the nightlife events (complete with crazy dancers). More documentation of Keston and Westdal’s performance is available including more video and a complete audio recording of the show.

Visit the site to download footage or audio of practically everything that happened at the festival.

Five Movements for Five Sampled Sounds in Five Loud Speakers

Posted on December 14, 2009 by John CS Keston

fives

Last Tuesday I performed a sound art installation titled, Fives, at the University of Minnesota. The subtitle of the work is, Five Movements for Five Sampled Sounds in Five Loud Speakers. To produce the sound for the work I used the wavetable glitch machine that I have discussed in a number of recent entries, controlled over a wireless network with an iPod Touch running TouchOSC. The sound objects generated were amplified through five distinct loud speakers arranged on pedestals at about chest height in a pentagonal configuration.

I have more detailed documentation about the project on my portfolio site along with a few photographs taken during the performance, and a 15:37 audio study of the piece in stereo, simulating the five channels necessary to perform the work. Check it out at the link below.

Documentation for FIves on johnkeston.com