Generative Accident – Dripping Water

Posted on January 10, 2010 by lost track

drip I have been re-reading articles on Generative music in Audio Culture : Readings in Modern Music again, and some unplanned generative music took me be suprise – dripping from my jumper.

I set up a few cardboard loo rolls to resonate with the sound and stood around for 5 minutes recording it all. There are some really interesting syncopated moments, all underpinned with a regular metronomic beat. I liked the intrusion of external sounds to the mix, as you listen on. A Happy accident

Tom

generative dripping clothes

rec@24/96 with rode nt5 and fostex fr2le, minimal eq

Spark Festival 2009 Documentation

Posted on December 16, 2009 by John C.S. Keston

A website was recently launched by Andrea Streudel and Ali Momeni containing vast amounts of video and audio documentation for the 2009 Spark Festival. I’m going to be spending some time reliving some of my experiences there from last February. This is an incredible archive of materials from the festival. Something from virtually every performance, installation, keynote, and concert is available. To get an idea of the festival and the scope of the documentation I suggest watching the Spark Festival 2009 Overview.

And I would be remiss if I didn’t suggest watching the footage of my group Keston and Westdal with Graham O’Brien at the Bedlam Theater during one of the nightlife events (complete with crazy dancers). More documentation of Keston and Westdal’s performance is available including more video and a complete audio recording of the show.

Visit the site to download footage or audio of practically everything that happened at the festival.

Five Movements for Five Sampled Sounds in Five Loud Speakers

Posted on December 14, 2009 by John C.S. Keston

fives

Last Tuesday I performed a sound art installation titled, Fives, at the University of Minnesota. The subtitle of the work is, Five Movements for Five Sampled Sounds in Five Loud Speakers. To produce the sound for the work I used the wavetable glitch machine that I have discussed in a number of recent entries, controlled over a wireless network with an iPod Touch running TouchOSC. The sound objects generated were amplified through five distinct loud speakers arranged on pedestals at about chest height in a pentagonal configuration.

I have more detailed documentation about the project on my portfolio site along with a few photographs taken during the performance, and a 15:37 audio study of the piece in stereo, simulating the five channels necessary to perform the work. Check it out at the link below.

Documentation for FIves on johnkeston.com

Introducing the Fluid Piano

Posted on December 10, 2009 by John C.S. Keston

My mate Joshua Herbst recently shared this video with me of the first ever “fluid” piano invented by Geoff Smith.

The completely acoustic piano allows the musician to tune every string by a whole tone either during the performance or before hand in order to set up particular microtonal scales.

The fluid piano sounds beautiful, reminiscent of sitar, but with a deeper tone quality. I can’t wait to hear more from this ingenious instrument.

Here’s the original article from the Guardian:
Introducing the ‘fluid piano’

GMS Now Available for Windows

Posted on December 5, 2009 by John C.S. Keston

GMS v0.10 beta binary distribution for Windows is now available, thanks to Grant Muller, who compiled the latest source code for the GMS under Windows. Please visit the GMS page to download the Windows version. If you’re interested in the source code for the GMS you can find it at http://code.google.com/p/gestural-music-sequencer/.