Strands

Strands is the working title for a series of audiovisual compositions based on the idea of animated, generative, graphic scores. Last year I composed six of these scores written in Javascript for Parking Ramp Project, a performance installation in a seven-level parking ramp with a large cast reflecting on transience, migration, and stability commissioned by Guggenheim fellow, Pramila Vasudevan. While Parking Ramp Project was composed for a trio, Strands is specifically composed for a soloist.

Rain is a new movement in the series and the first that I have produced with video of the animated score. Currently there are five movements in the piece. I performed the first four recently at the ISSTA conference in Cork, Ireland. The visual part of the piece is meant to be read like music but without the use of key or time signatures. Each time the piece is played the visuals are regenerated, so it is never performed the same way twice.

The musician may interpret the visuals in many ways. For example, in Rain lines are animated from the top of the screen to the bottom. Where the line appears horizontally is roughly regarded as pitch and as the line animates the sound is modulated. The lines also vary in weight. Heavier lines are louder and lower in pitch while thinner lines are quieter, generally higher, and sometimes altered with a high-pass filter.

I performed Rain using the Novation Bass Station II, which has a feature (AFX mode overlays) that allows for each note to have entirely different parameters. With this technique I was able to map different timbres to the keybed and use this variety in texture as another way to interpret the score. Keep an eye out for more of these. It is my intent to make videos for all five of the movements and perhaps add one or two more to the series.

ISSTA 2019 Call for Proposals

October 31st and November 1st, 2019 the Irish Sound, Science and Technology Association annual conference and festival will be held in Cork, Ireland at CIT Cork School of Music. Keynotes include a performance and lecture from Robert Henke (Ableton Live, Monolake) and a performance and workshop from Ellen King (ELLLL / Gash Collective).

I starting going to ISSTA in 2017 and have had incredible experiences while attending and performing. It’s usually a fairly small gathering of like-minded artists, educators, performers, and scientists all of whom are experimenting with sound in fascinating ways. I’ve participated in many events, festivals and conferences, but nothing aligns better with my interests and practice than ISSTA does. If you appreciate the music and sound experiments I share here on ACB, then please review the call below for details about this wonderful gathering. Continue reading

Video: REV2 Patch Degrader Demo & Sounds

This video describes and demonstrates the device I designed to create most of the patches in the REV2 Experimental Sound Set available here on AudioCookbook.org:

https://audiocookbook.org/prophet-rev2-patch-set/

I am hoping to make it available sometime in the next few months if I can gage enough interest for a release. To hear five minutes of just the patches (no talking) please skip to 9:56. Also a complete playlist of all 128 patches is available on SoundCloud:

Prophet Rev2 Experimental Patch Bank Now Available

Since November of 2018 I have been working on developing a collection of experimental patches for the Sequential Prophet Rev2. This was a ton of work, partially because I developed a custom Max for Live device specifically to explore more experimental soundscapes but well worth it. I am quite happy with the results and have made the patches available for purchase here on AudioCookbook.org. Checkout all 128 patches in this playlist or have a listen to a few of my favorites below.





Sound / Simulacra: DeVon Gray & Patrick Pegg Recordings

On December 27, 2017 Sound / Simulacra featured DeVon Russell Gray and Patrick Pegg. DeVon and Patrick started of the evening with an uninterrupted 38:10 minute set of acoustic piano and esoteric electronics. In the second set Cody McKinney (bass and electronics) and I (Rhodes and Moog Sub 37) joined the duo to perform a 34:09 minute piece followed by final 8:47 minute piece in closing.