Jon Steinhorst put together this video preview for our Northern Spark project, Instant Cinema: Teleportation Platform X. It was compiled from footage that was shot during our recent work-in-progress performance at the Northrup King for the Visual Storage exhibition. This should provide a small scale example of what to expect from the final performance on June 8, 2013.
June 8 through 9, 2013 is this year’s Northern Spark Festival and I am participating with a project that I am directing called Instant Cinema: Teleportation Platform X. This is a collaborative effort with an amazing team of artists and musicians involved including the members of DKO, David T. Steinman as the Mobile Conductor, and Jon Steinhorst as our Artistic Director.
The nine hour performance running from dusk until dawn will consist of seven or eight “circuits.” Each circuit will include a live audiovisual stream projected and amplified into the performance space for the musicians to instantly score as the events unfold. To learn move about our performance, that is free and open to the public, please visit these resources:
instant-cinema.org
2013.northernspark.org/project/instant-cinema
This Friday, May 17 from 6 to 9:30pm (during the opening night of Art-a-Whirl) is the opening reception for the Master of Fine Arts 2013 Thesis Exhibition at the Northrup King Building, Gallery 254, 1500 Jackson Street NE, Minneapolis, MN 55413. I will be showing a series of prints titled Spectral Tablature with an iPad application to “listen” to the prints (more on that later), a 32″ interactive touchscreen installation titled, Machine Machine, and a kiosk with a series of filmed performances. I will also be debuting a performance piece titled, Instant Cinema, featuring DKO (music), David T. Steinman (mobile operator), and Jon Steinhorst (art direction). The performance begins at 9:00pm. Admission is free and open to the public. Two years of hard work has led up to this single night. If you have any interest in art, sound, music, or performance please consider attending. Thank you!
This is another excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. Listen for traffic, footsteps, car horns, and the occasional blurt of humans speech. The visuals and sound from his walk provided a “score” for the ensemble to respond to as we improvised. Oliver was also able to hear the musical reactions to the audiovisual score as he was broadcasting and respond accordingly.
The piece was recorded with my custom built binaural head microphone (Vincent) to capture the sound localization of the performance space. Remember that it is necessary to wear high quality, circumaural headphones to experience the binaural effect. While watching, imagine you are in the same position as Vincent. You should hear the bass clarinet in your left ear, the Rhodes and synthesizers to the right and the drums and video sound in front. The relative height of the sound should also be noticeable.
This is an excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012 as discussed in the post Live Binaural Recording of DKO with Oliver Grudem. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. The visuals and sound from his walk provided a “score” for us to respond to as we improvised. Oliver was also able to hear our musical reactions to the audiovisual score as he was broadcasting and respond accordingly.
The piece was recorded with my custom built binaural head microphone to capture the sound localization of the performance space. NOTE: It is necessary to wear high quality headphones to experience the binaural effect. The spatial properties of studio monitors are also acceptable but will not produce the same localization of the sound sources. Thanks goes out to Eric Dowell for shooting video of the one hour long performance. I am working on editing a shorter version to briefly summarize the essence of the piece. This 13 minute video is a more in depth snapshot of what the performance entailed.