This pattern at 122 beats per minute was produced on the Roland Juno-106 with the portamento enabled.
Portamento Pattern
This pattern at 122 beats per minute was produced on the Roland Juno-106 with the portamento enabled.
Portamento Pattern
I found this arpeggio that I created in Ableton Live and rendered on the Roland Juno-106, in a temporary folder weeks after I had deleted it from the set I was working on. I listened to it and decided it was worthwhile using it for today’s synthesizer sound. It includes some nice manual filter sweeps as well as some other tweaks. I added an un-synched delay to give it some depth, but that was it for processing.
Lost Arpeggio Passage
Here’s a little arpeggio I recorded using my Roland D-50 and the factory preset, Vara Coma Veri La. A quick search shows that the patch, somehow on my D-50s internal memory, was part of the Cinascope Studio soundbank programmed by Paul Naton. All the processing heard is native to the D-50. No additional processing was added. Patches like this really show off the spacial qualities of the instrument with hard, slow auto-pan drenched in reverb.
Spacey D50 Arpeggio
In late June 2011 I will be presenting the GMS and Grain Machine, as well as performing with Ostracon, at the Eyeo Festival. Eyeo is a new festival organized by Dave Schroeder, that includes an ever expanding and incredible list of speakers. I am honored, humbled and invigorated to be participating in this event. Here’s a blurb from the festival website:
“eyeo brings together the most creative coders, designers and artists working today, and shaping tomorrow – expect an amazing three days of talks, labs, demos & events fueled by the people and tools that are transforming digital culture.”
Just to give you an idea of the scope of the presenters, both Ben Fry and Casey Reas, founders of the Processing.org language (that I used to build the GMS) are on the roster among many other brilliant talents. Checkout the website for a list of the presenters so far. Here’s a track from the upcoming Ostracon album to illustrate what we’re producing.
Entropy Procedure by Ostracon
Here’s an arpeggio I recorded with my Casio CZ-1000 that’s part of a composition I’m working on. I really love this synth. There’s something special about the way it sounds when combining phase distortion with ring modulation. I added a bit of reverb to give it some space.
Bell Like Casio CZ-1000 Arpeggio