I made this synth bass patch today on the MKS-80 and performed real time edits with the Bitstream 3X sending sysex directly to the instrument. This technique feels a lot smoother and lower in latency that any other routing method I have tried so far. After recording it I ran it through Ableton’s resonators and automated some chord changes. Here’s an excerpt from the results.
I discovered this glitch while attempting to get my Bitstream 3X controller configured to handle sending MIDI notes and sysex from Ableton to my MKS-80. For testing purposes I setup several complex routing schemes. Some of them worked better than others, but this one in particular create an odd smattering of notes several octaves above the notes that were meant to be playing. Presumably I’ll resolve this eventually, but I’ve learned to capture these glitches when I discover them since they often have interesting qualities worth exploring.
I created this patch today on the unnamed synthesizer that I remain obsessed with and decided to record some triggered minor nine chords whilst adjusting various filter and envelope parameters. Perhaps this will end up as a layer in an ambient piece of some sort.
“Execute Rogue Citizen” will be on display at Gallery 13 until April 1. The opening reception, Incarceration, will be this Friday night and features music by Ostraka starting at 7:30 p.m.
The closing in two weeks, Reprieve, will feature the music of Seawhores. All the art that has gone unsold during the show’s run will literally be executed. By doing this, Rogue Citizen hopes to acknowledge the way the system benefits only those who can afford it.
Let’s hope there will be no art leftover on execution night. Created by science-fiction nerds who love to paint the abnormal, Rogue Citizen’s work is much too nifty to get tossed, even if it is to make a valid point on our current social system.
Here’s an excerpt from a track a produced today that I’ll be performing in my Ostraka set tonight. All the sounds in this piece were made with the Roland Super Jupiter MKS-80 apart from the drums.
I recorded this collection of arpeggiated notes as they poured out of the Roland Super Jupiter MKS-80 while I manipulated the controls in real-time. A lot of it ended up on the cutting room floor, but I’m pretty fond of these last two minutes forty seven seconds. I dipped it in a vat of reverb and delay before presenting it here for your enjoyment.