Interview: The Mind of Video Artist Chris LeBlanc

Posted on October 28, 2015 by John CS Keston

Chris LeBlanc is a video artist who I have been collaborating with frequently for the last year and a half. The body of work that he has produced in this short period is remarkable. His improvised visuals for musical performances include mash-ups from rare VHS tapes of bizarre B-movies; usually of the sci-fi, horror, or fighting genres. He augments these mix tapes with circuit-bent Nintendos and a vast collection of other analog video devices to produce uncanny, audio-responsive, visual experiences that enhance musical performances and draw in listeners. Recently he added a modular video synthesis system to his rig and salvaged a nine-by-nine CRT video wall for display.

On Thursday, October 22nd Chris produced visuals for a solo performance of mine at a club with a projector and fifty-one flat screen monitors dispersed throughout the venue. Chris managed to display his video art on the projector and all of the flat screens during my performance. This lasted for about half the set until an irate bar manager found him and made him put the hockey game back on a few of the flatscreens. In addition to his performances he creates music videos and stills using the same equipment and similar techniques. After our most recent show I thought it would be great to share a discussion with Chris here on ACB. I interviewed him on what drives his decisions as an artist and how he makes his analog imagery so engaging while using content and technology from a bygone era.

Read on for the interview with Chris LeBlanc plus more videos and still photo examples of his work. Continue reading →

Solo Hardware Set Thursday with DSI, Elektron, and Moog

Posted on October 20, 2015 by John CS Keston

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I will be performing an all hardware set using the DSI Tempest drum machine, the Elektron Analog 4, and the Moog Sub 37 this Thursday, October 22, 2015. Fellow music technology wizard, Robert Luna, will start off the evening drumming with his band Houseluna at 7:00pm followed by my set at 8:30pm. The event is being held at The Pourhouse at 10 S 5th St, Minneapolis, Minnesota.

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I’ll be playing a similar set to my last solo event, The Taming of the CPU, but with enough variations to keep it interesting if you happened to catch that show. Listen to the track below to get a brief sample of what I’ll be performing. We hope to see you there!

Recent Praise for Isikles

Posted on June 22, 2015 by John CS Keston

I am very excited about praise we have received for Isikles, a recent album I produced with Chilean producer Lister Rossel. Ironically yesterday was the Summer Solstice, but Lister has returned to Chile in the Southern Hemisphere where the climate is in the midst of winter. Everyone who has taken the time to listen to Isikles has appreciated the mystery and depth of this work. For example artist, musicians, and educator, Piotr Szyhalski said this after listening:

It’s interesting how it seems to transport my mind in both directions on the timeline. Certain elements send me back, sometimes way back, while others have a future oriented thrust. There is a sense of silent disaster unfolding. I imagine that this is what dying might feel like: when your mind brings you a sense of comfort, which masks the finality of the event…
– Piotr Szyhalski

Richard Devine, whom I had the pleasure of performing with recently at the Dakota in Minneapolis, shared these thoughts:

Isikles puts the listener on a beautiful elegant journey of ambient, soundscapes, pulses and textures. One of the best chill out albums to come out in a long time.
– Richard Devine

If you haven’t had a chance to listen, try the track Corvus in the player below. It’s one of my favorites. This album filled with analog synthesis, sound design experiments, and field recordings of ice and other things, was a joy to produce. Lister’s talent, work ethic, and conceptual clarity made it a very special collaboration. The full album is available for listening or download on our BandCamp page. Thank you for listening!

<a target="_blank" href="http://isikles.bandcamp.com/album/isikles" >Isikles by John Keston and Lister Rossel</a>

New Album:Isikles with Lister Rossel

Posted on June 1, 2015 by John CS Keston

<a target="_blank" href="http://isikles.bandcamp.com/album/isikles" >Isikles by John Keston and Lister Rossel</a>

I am very excited to announce the release of the album Isikles! This is the third album released this month that I have been a part of. This one in particular is a collaboration between myself and Chilean producer, Lister Rossel. The two of us spent countless hours during the 2014–2015 winter in Minnesota composing and producing eleven movements that portray the fragility and magnificence of frigid environments. The liner notes for the album describe the concept:

Geologists propose that Earth has entered the Anthropocene. This epoch is marked by human activities that significantly impact the planet’s ecosystems. Markers include mass-extinctions that have led to a reduction in biodiversity, industrial and agricultural impacts on geology, radioactive fallout, and the most obvious marker — climate change.

As the planet warms polar regions teeter from stoic landscapes of frigid ice to rapidly evolving environments as they shed their ancient layers. Isikles is a portrait of nature and its transitions. It is a soundscape — a window to the coldest environments on earth; from the microscopic (Ice Mutation) to the macroscopic (Scattered Disk). Isikles reflects the undergoing global transitions of which we are all participants.

This album, produced by John Keston and Lister Rossel, combines composition with sound design techniques to present soundscapes inspired by these transitions. The sound sources include their own field recordings from frigid environments mixed with sonic interpretations uncovered through sound synthesis and processing during the brittle Minnesota winter.

Please have a listen to the album and consider purchasing the lossless download for the ultimate listening experience. The album was produced by John Keston and Lister Rossel, mastered by Tom Garneau, art direction by Luisa Rivera, and cover art by Forrest Wasko. Aside from a smattering of Rhodes playing, everything I produced on the record was designed using the Elektron Analog 4 and the Moog Sub 37.

Moog Sub 37 1.10 Firmware Demo Part 2

Posted on May 8, 2015 by John CS Keston

Now that I have had some more time to experiment with the new Moog Sub 37 1.10 firmware I made a new video that is more in-depth than the last one. In this video demo I show seven new features within the sequencer and arpeggiator sections of the instrument. Although I did edit the video for length, each feature was demonstrated without having to stop the sequence at any point.

First I review how to turn steps on and off while in step edit mode. This is simply done by pressing the step buttons (patch button 1 through 16) while in step edit mode (bank + latch).

Secondly I show how to set the start and end positions of the sequence while it continues to run. This is really great for repeating any number of consecutive steps in the sequence.

Thirdly I show how to create or disable ties between two or more notes on the fly. This is much faster and accurate than the original way of apply ties while the sequencer continues to run.

Fourth I demonstrate how to turn on/off step ratcheting and how to modify the number of ratchets. Ratcheting is an interesting new feature that repeats a step from 1 to 8 times.

For the fifth feature I adjust the swing amount. Having swing as a feature for the sequencer is fantastic, but it can also be applied to the arpeggiator and the LFOs when they are synched to the clock! I haven’t tried this yet, but I love the idea of manipulating the LFO waveshapes this way.

The sixth feature is modulation sequencing that I applied to the filter envelope amount. The mod sequencing can be applied to a huge list of parameters. Unfortunately is it one destination per patch/sequence, but never-the-less a welcome and useful addition.

Finally for the seventh feature I demonstrate how to shift the sequence back or ahead of the first step using bank + arp range (+ or -).

There’s a lot more still in this release that I have yet to explore. A huge THANK YOU goes out to Moog Music and especially Amos Gaynes for making an already great synth greater!