This is the third example from a collection of microtracks that feature the Korg Monotribe synchronized in various ways with the Sequential Circuits Pro-One. In this piece I switched between the two available sequences on the Pro-One while manipulating controls on both instruments.
Here’s the second microtrack from a series of experiments featuring the Korg Monotribe and my SCI Pro-One. It would be remiss to leave out the use of the Memory Man on the Pro-One for some distorted dub-delay. This particular piece has odd times and flams happening that were a bit of an accident. It could of been caused by dropping a beat somewhere using the active step function on the Monotribe, but I was also synchronizing with the DAW, so my sync loop may have been misaligned. In any case I liked what I heard and let it form the basis of this study.
Here’s the first in a series of microtracks I’ll be sharing here on ACB that I produced with a Korg Monotribe synchronized in a variety of ways with my SCI Pro-One. The nice thing about the Monotribe is that it has sync in/out that works perfectly with the Pro-One gate in/out functionality. I wasn’t sure if this would work or not so my friend Lukas brought his over and we tested it before I committed to buying one. I was quite pleased to find out that it works both ways meaning I can either sync the Monotribe with the LFO on the Pro-One, or sync the Pro-One to the tempo on the Monotribe.
This is another piece from a stockpile of synthesizer tracks that I’ve been sitting on for a while. Locus 13.07b is a study in polyrhythmic arpeggiation produced using the Roland Super Jupiter MKS-80 and the Roland D-50.
This is one out of a collection of synthesizer tracks that I’ve been sitting on for a long time. Apart from the percussion, Libration (not to be confused with liberation) Dub was made entirely with the Casio CZ-1000 analog phase distortion synthesizer.