This is not my usual kind of topic, but I just came across an exciting new development. Sony has introduced the Xperia Sola with what they call floating touch capability. The screen on the device detects the presence of a finger up to 20mm away allowing for mouse-like hovering behaviors. What this means for me is that it would be an easy matter to create a velocity sensitive touch keyboard or set of pads on a device with this feature. Simply measure the time between entering the field and actually touching the device and then apply the number to the amplitude, or any other attribute of the sound. There is a significant amount of potential for expression with this technology. I would love to see this on a tablet and develop an instrument it. How would you like to see floating touch (or something like it) used for music applications?
Monotribe Meets Pro-One Part 6
This is the sixth piece from a collection of microtracks that I have produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one starts out with out drums and then double bass drum fills come in near the end.
Monotribe Meets Pro-One Part 5
This is the fifth microtrack from a series that I produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one was edited out of a longer session where I was taking a few liberties with knob turning on the Memory Man and on the Pro-One.
Monotribe Meets Pro-One Part 4
Here we have the fourth example of microtracks made with the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. The odd time in this case is caused by setting the number of active steps differently for the synthesizer versus the drums — a new feature that was added with the Monotribe 2.0 software update.
Diego Stocco at the Art of Music in LA
I have recently become aware of an excellent sound design and music event series held at the Bleicher Gallery in Santa Monica, CA. The series is titled The Art of Music and on March 25, 2012 they will feature a showcase by one of my favorite sound artists, Diego Stocco, as well as a performance by Nat Evans. The purpose of the series is to present “…an oasis in Hollywood for criminally overlooked music, giving media professionals a unique chance to discover new resources, discuss upcoming projects and forge new creative partnerships.” Checkout the details at artofmusicla.com.