This recording was made with a Shure VP88 stereo condenser mic on a Fostex FR-2LE field recorder as I was leaving work this evening. I usually exit out of a back stairwell with cement steps and brick walls. In other words, loads of natural sound reverberation.
The audio starts as I open the door to the stairwell. First I ascended two flights, turned around and descended four. I then opened the door to the outside alley and parking lot, where I was greeted with post-rainfall, nighttime, city ambiance. I crossed the street to my bike where two workers packed up their tools in their van. Then I pressed stop, packed up my gear and rode home.
While recording I enabled the bass roll-off on the mic. Then I ran the 48kHz 24bit digital recording through a compressor at 4:1 to reduce some of the transient peaks and bring out some of the background noises. I also normalized it during the render to maximize the volume.
Up the Apples and Pears
Tonight I shot a video in an alley in Northeast Minneapolis as a thunder storm rolled in. I shot it with my mobile phone and then converted it to a wav file for today’s sound. Rather than inlcude the video I have put the audio here after compressing it as an mp3. I also included a shot of the storm clouds as I saw them. In the beginning of the recording I hear some chimes then the wind overdrives the mic a bit. On the whole, the recording seems to be made of mostly wind noise. 
Here’s a technique that I stumbled across while experimenting. Sometimes I like to put a micro sample (a sample that is a fraction of a second in length) through a massive reverb. This particular sample is perhaps a tenth of a second of music from an old television commerical. When I do this it’s usually on its own track with lots of other stuff going on around it. 
