Duet for Synthesizer and Freight Train

This is the second study in a series of duet recordings that I am working on. In this example I made a recording of a freight train passing from about fifteen feet away using my Sony PCM-D50. On a side note the train recording was made in December of 2008, and I had no Idea until recently that I would be using it as a test layer for this project. Next I performed along with the recording while attempting to listen and react the same way I would when improvising with a human performer. The synthesizer I used (and may use for all of these) is my Sequencial Circuits Pro-One running through the Memory Man delay. There’s quite a bit of low end in the synth for the first two thirds of the piece, so I recommend listening on a good system, or set of headphones, turned up as loud as you can manage!

Listen to the original, uncompressed train recording from December, 2008:
Winter Freight

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

5 thoughts on “Duet for Synthesizer and Freight Train

  1. I think this is great. The synth really adds something to the atmosphere of the train recordings. Nice work!

  2. Cool experiment. Drew my attention cause I’ve also been using some recordings of the massive freight train by my apartment lately – the sounds from those things passing by are intense!

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