Google Nexus One as an Electronic Music Device

With all the Android devices appearing recently, I’ve decided it is time to upgrade my four year old Sony Ericsson K800i to a Google Nexus One smart phone (I think I’ll hold off on calling it a super phone for now) and perhaps consider using it as a controller as I have been with the iPod Touch. Another consideration is attempting to do some music software development on the Android platform. Perhaps porting the GMS, developed in Processing.org, may even be possible with the Nexus One’s 1 GHz Snapdragon (Qualcomm QSD 8250) processor and the built in video camera.

I currently have the phone in hand and will write about my impressions once I’ve had time to familiarize myself with it. It’s definitely going to take some getting used to, but so far I can say that the display is gorgeous and for the most part the functionality is wicked fast.

Music applications for Android under development include TouchOSC, and I’ve read several articles on CDM highlighting others that are available or in progress. I’m curious about Android music or sound based projects and applications that are either currently available or under development. Please comment if you’ve encountered articles or examples on this topic. After doing some research, perhaps I can start experimenting with some of the apps and writing about them here on ACB. Thanks!

This entry was posted in Audio News, GMS and tagged , , by John CS Keston. Bookmark the permalink.

About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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  1. Pingback: Audio Cookbook » Blog Archive » Google Nexus One as an Electronic … | getgooglemusic

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