Meditation Bell Simpler Freakout

Posted on March 3, 2009 by John CS Keston

I created this sound by resampling the output from Ableton‘s Simpler as I played a meditation bell sample that I recorded at a register far beyond the audible range. Somehow I got all these odd clicks with strange tones in between. Simpler is aptly named, being a very simple example of a software sampler, so I imagine that not much development has been put into handling samples at very high frequencies. This is fine with me since it creates these interesting glitches. Perhaps I’ll try the same technique with some other samples to see what happens.

Vocalese Vocoder Technique

Posted on February 27, 2009 by John CS Keston

Pluggo includes an interesting device called Vocalese. Basically, Vocalese is a virtual instrument made up of a collection of phonetic samples. If you’re clever, and very patient, you can paste these samples together to create words, thereby synthesizing speech. I wasn’t really interested in doing that, nor am I patient enough, but I liked the idea of using the instrument to drive a vocoder. In order to do this I created a MIDI sequence that played each one of the phonetic samples in the instrument. Then I used a plugin to randomize the notes in realtime, so the sequence is never the same. Then I directed the output into a vocoder plugin, followed by delay and reverb for atmosphere.

Vocalese Vocoder

Long Sequence in a Quiet Subway Station

Posted on February 18, 2009 by John CS Keston

I like this section, from a seven minute recording in a relatively quiet New York Subway station, because of the quality that the voices and environmental sounds take on in the very reflective surroundings. Tile, cement, glass, and metal surfaces cause the sound waves to reverberate back and forth in a confined yet expansive maze.

Quiet Station

Another Rhodes Recording from Nublu

Posted on February 15, 2009 by John CS Keston

Here’s another example of Rhodes recorded during our set at Nublu. It’s interesting for me to hear these clips unprocessed and without the other instrumentation, not to mention the excessive crowd noise in the room. During the performance, when I record these clips, I’m usually running the Rhodes through various amounts of amp modeling, eq, compression, delay, and sometimes reverb or filtering. There’s often other loops playing while I record as well as live drums, bass and laptop added by Graham and Nils as you can hear in Segment of Recording from Nublu.

More Nublu Rhodes

Rhodes Loop from the Nublu Backline

Posted on February 14, 2009 by John CS Keston

One of the nice things about playing at Nublu is the fact that they have a Rhodes in their backline. I don’t know very many clubs that do, and most of the time, if they do they are in disrepair. Instruments in backlines suffer a lot of abuse. The Rhodes is not a delicate instrument but with heavy use certain things break. Most commonly the tines. So I went to the club early just to check on the Rhodes and offer to repair it if needed.

In fact, two tines in the upper register were broken, but fortunately Nublu had a “parts” Rhodes in the basement that had both of the broken tines intact. I quickly replaced the tines and made a few other minor adjustments and the vintage keyboard was ready for an evening of music. Here’s a clip that I created while improvising during our second set to give you an idea what shape the Rhodes was in.

Nublu Rhodes Loop