The intervals in a major scale are really the same as a minor scale. What’s different is the starting point. All the pitches in a major scale are the same as its relative minor, which is down a minor third. So the difference between a melody in a minor key and a major one is the root note. The same melody can be minor or major depending on the perspective of the listener. The last pattern I posted is only in a minor key if you consider C the root. If you consider E flat the root, then the melody is in a major key with C being its relative minor. In this case, the pattern is in C major, so if you listen with an A (the relative minor of C) in mind you’ll hear it in a minor scale.
GMS Major Scale
I took the idea from the last post a little further and tried a different sample; an already high pitched phrase of Rhodes electric piano. I played the sample in the software sampler, Simpler, higher and higher until it faded from an audible range. I kept going until finally, around eight octaves up, I started hearing strange artifacts from the sample. At this stage I created a MIDI clip with a scale of these sounds, then ran it through compression to bring out some of the more subtle effects, equalization to eliminate any canine-hearing-damaging-frequencies, and some processing to randomize the scale. Here’s what I ended up with. 
I created this sound by resampling the output from