It’s no secret that I’m a lifelong Rhodes electric piano fanatic. I could come up with a laundry list of reasons why this is the case, but one of the main reasons is how well the instrument responds harmonically. Therefore, I have decided to briefly forgo articles about sound design, processing, and field recording in order to present a few of my favored chord voicings on my suitcase model studio Rhodes.
The first example is a poly chord. It’s basically an E major triad over a D major triad, except I’m playing the D as a tenth with the fifth in the middle in the left hand and the third inversion of an E major triad in the right. You’ll need a wide reach in your left hand to play this voicing. The nice thing about it is the deep, open, and complex sound created by the thirteen and the flat five.
Rhodes Chord D7 (13 flat 5) Poly E over D
What you hear in this clip is all of the processed noise extracted from 
Here is another recently produced example of processing sound with 
Signs of Spring are making themselves heard in Minneapolis. For example, I recorded the sound of snow quickly melting into a storm drain near the Mississippi river in Minneapolis last night. The temperature was approaching fifty degrees Fahrenheit (ten Centigrade) creating a steady stream of water pouring into a grate adjacent to a cobble stone street. The sound was loud enough to capture my attention as I cycled past it, and nearly drowned (no pun intended) out the ambient noise of traffic and a nearby power plant. 