Instant Cinema: Teleportation Platform X

Posted on May 29, 2013 by John C.S. Keston

Instant Cinema Works in Progress

June 8 through 9, 2013 is this year’s Northern Spark Festival and I am participating with a project that I am directing called Instant Cinema: Teleportation Platform X. This is a collaborative effort with an amazing team of artists and musicians involved including the members of DKO, David T. Steinman as the Mobile Conductor, and Jon Steinhorst as our Artistic Director.

Instant Cinema - Mobile Conductor

The nine hour performance running from dusk until dawn will consist of seven or eight “circuits.” Each circuit will include a live audiovisual stream projected and amplified into the performance space for the musicians to instantly score as the events unfold. To learn move about our performance, that is free and open to the public, please visit these resources:

instant-cinema.org
2013.northernspark.org/project/instant-cinema

György Ligeti’s Artikulation (1958) Animated

Posted on March 3, 2013 by John C.S. Keston

I just came across this animation of one of György Ligeti‘s few electronic compositions Artikulation (1958). This animated sequence puts my collaboration with Piotr Szyhalski, Post-prepared Piano, in historical context. The visuals for Ligeti’s piece were created by Rainer Wehinger in response to the music, while in Post-prepared Piano (see the animated sequence) the visuals are converted directly into an electronic version of an existing work through a computerized process.

Perihelion Dub

Posted on February 19, 2013 by John C.S. Keston

Here’s a piece dedicated to our planet’s recent astroid near miss and “unrelated” spectacular meteor explosion. I went back to my roots and produced some psychedelic, dub-delayed business with a little arabesque-miami-vice in the middle. Please enjoy responsibly.

DKO at FRANK Part 3: Everyday Music

Posted on February 11, 2013 by John C.S. Keston

This is another excerpt from a performance by DKO from the MCAD MFA open studio night on December 7, 2012. The document features Oliver Grudem (not shown) who produced the audiovisual score in real-time. The video and sound coming from the LED display and loud speaker below it was broadcast into the performance space as Oliver walked around the Minneapolis Uptown area during a snow storm. Listen for traffic, footsteps, car horns, and the occasional blurt of humans speech. The visuals and sound from his walk provided a “score” for the ensemble to respond to as we improvised. Oliver was also able to hear the musical reactions to the audiovisual score as he was broadcasting and respond accordingly.

The piece was recorded with my custom built binaural head microphone (Vincent) to capture the sound localization of the performance space. Remember that it is necessary to wear high quality, circumaural headphones to experience the binaural effect. While watching, imagine you are in the same position as Vincent. You should hear the bass clarinet in your left ear, the Rhodes and synthesizers to the right and the drums and video sound in front. The relative height of the sound should also be noticeable.