Free Stuff for AudioCookbook Readers

Posted on February 10, 2010 by John CS Keston

Glyn over at ProKits has offered a few free downloads for ACB readers. ProKits is an online resource for custom-made, individual and unique sample kits in formats like Native Instruments Kontakt and Battery. Here’s a few descriptions of their sample kits from Glyn:

Grainy
This instrument is a granular synthesis pad machine created in Kontakt using devious scripting to firing thousands of tiny ‘blips’ at your ears at random. The frequency of the effect can be controlled using the mod-wheel and the custom interface has additional controls for release-time, choral layer volume and distortion. The whole effect created a texture that can go from sonar-ping blippy to the Russian red army chorus to a desert wind howling in the night.

Wooden Frog
A Kontakt instrument created from the humble little wooden percussion frog. A wide selection of sounds were recorded at different velocity levels, with alternate sounds triggered in round-robin fashion, for a very expressive instrument (over 40 samples), going all the way from the frog’s natural range to a pitched-down bass thud.

The Kontakt script has knobs for tuning the sounds, and the mod-wheel brings in an impulse reverb. The reverb is based on an impulse made by my very own acoustic-space modeling program, and is not available anywhere else.

Here’s what Glyn has made freely available for AudioCookbook readers. To extract the RAR files linked below use the password “audiocookbook”.

http://www.prokits.co.uk/user_folder/audiocookbook/mellovtronika_kontakt_prokits.co.uk.rar
http://www.prokits.co.uk/user_folder/audiocookbook/cheesekeys_kontakt_prokits.co.uk.rar
http://www.prokits.co.uk/user_folder/audiocookbook/glassworld_kontakt_prokits.co.uk.rar

Native Multitouch Support on the Nexus One and Beyond

Posted on February 3, 2010 by John CS Keston

I successfully installed an official Google Nexus One update to my phone last night and have been giddily pinch zooming to my hearts content ever since.

The previous lack of multitouch support on the N1 led to speculation about Apple patents and possible litigation against American companies including it on their handheld devices, but Google no longer seems worried about it.

It will be interesting to see the reactions to this, but in the meantime I’m feeling pretty glib about my decision to buy the Nexus One.

Of course this doesn’t change the potential of the device for multitouch control or music apps, however, it might attract more customers, and as a result, more developers to the platform.

Furthermore, I have been researching a variety developing stories about multitouch tablet devices to compete with the iPad. MSI is releasing a tablet running Android OS later this year. And Google has released concept photos of a tablet running Chrome OS, that is reported will support multitouch capabilities.

So, for many of us who were disappointed by Apple’s iPad announcement last week, there are a variety of competing and more open devices on the horizon that could very well satisfy some of what we’re dreaming of for open, multitouch, interactive, music devices.

Apple iPad: Glorified iPod Touch? Still Waiting for the iLap

Posted on January 27, 2010 by John CS Keston

Thanks to Peter Kirn at CDM for his opinion on the iPad. I tried hard to ignore the hype about this device, but gave in and listened / watched live blog footage of the event. Peter has eloquently stated his views on the device, and I have to agree with him. TouchOSC will be great on the iPad, turning it into a budget Lemur, but ultimately not much more satisfying than it is currently on the iPod Touch, unless significant updates are made specifically for the device. The two things that disappoint me the most are:

1) Apple seems to be enforcing a ridiculous patent on multitouch with plenty of prior art examples (Lemur, etc.). Google should straighten their backs and just put multitouch into Android. Multitouch belongs there, like it does on normal computers, playing piano, making love, etc. This is slowing down the pace of development and hurting the industry. A corporation shouldn’t be able to patent “multitouch” (whether it’s for mobile devices or not) anymore than it should be able to patent fingers. Multitouch is a human sensory capability. We have built-in multitouch. Are human beings inherently violating Apple’s patent? I wouldn’t be surprised. I am a mobile device after all.

2) As Peter mentions in his article, it’s a closed device. No running existing applications like Ableton Live, or MaxMSP unless stripped down versions are developed for it and sold on iTunes. I might have been interested in this if it was a multitouch device that I could use in the same way I use a laptop with the same tools available now. Imagine being able to move ten sliders in your DAW right in the interface; no external device required.

I might change my mind, but presently I see the iPad as a very pretty, but bulky iPod Touch / Kindle great for Facebook, movies, and e-books, but not something that’s likely to become a significant platform for music or sound design. I’m still waiting for the iLap. Perhaps, once the iPad is cracked and people start putting Android on it, things might get interesting. No one has registered android4ipad.org yet, but it’ll be amusing to see that happen down the road.

UPDATE: Apple claims these types of alterations to be a criminal offense. Checkout the Free Software Foundation view of the iPad – iPad is iBad for Freedom.

Bicycle Converted into a GMS Input Device

Posted on January 24, 2010 by John CS Keston

Checkout this video made by Chris LeBlanc. Chris is using LEDs attached to a rotating bicycle wheel as an input device for the GMS. Chris and I had a session recently where I showed him ow to sync the GMS up with Ableton, and the next thing you know he’s come up with a new way of using the software. Nice one, Chris!

Upcoming Ostraka Performance and New Album

Posted on January 23, 2010 by John CS Keston

My experimental music project, Ostraka with Graham O’Brien on Drums, is performing on January 27, 2010 at Big V’s in St. Paul, Minnesota. I’ll be on laptop using my custom developed application, the Gestural Music Sequencer (GMS). I’m also using my iPod Touch controlled grain-table glitch generating Max patch for another layer of texture. Chain Fight and Juhyo round out the bill.

It’s also about time I mentioned that I’m in the process of producing a new Ostraka album that features Graham O’Brien on drums. We recorded it recently at Masters Recording, formerly Flyte Tyme of Jimmy Jam and Terry Lewis fame. The studio was just sold again and from what I understand will be called Madison Media Institute. In any case it was an amazing facility to lay down tracks. Here’s a shot of our setup in Studio A.