I have received a few notices of intent to participate in the GMS Generative Track Competition, but no entries so far. The deadline is still May 31, 2010, but I may extend it if necessary. Please drop me a line if you’re intending to submit something, or need more time. Here’s the original entry that includes the details about the competition.
I just got a note from the organizers of In/Out, an annual digital performance festival in New York that features digitally driven performances and workshops over two days at The Tank Theater in Manhattan. This year the festival is on September 17 and 18. If you’re unfamiliar with this inspiring event, checkout some of the video documentation. Read on for the details and submission guidelines.
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I am excited to have the opportunity to teach an upper level sound design class to digital film students this Fall. I have several books in my collection that relate to sound design that cover very specific topics, but what I’ll need for the class is a book that covers a broad spectrum of concepts within the field. The course competencies include multi-tracking, mixing, sampling techniques, signal processing, equalization, editing, synchronization of audio and video, Foley, and ADR. Does anyone have any suggestions for a book focused on sound design, but general enough to cover all of these topics?
To give you an idea of what I’m looking for, I currently use Real World Digital Audio by Peter Kirn for an entry level audio production class that is a prerequisite for the sound design class. Peter’s book works really well because it’s current and covers exactly what I wanted for the audio production class in an illustrated, thorough, yet clear and concise way.
This Monday, April 26, 2010 is the third installment of Experimental Music Mondays at the Kitty Cat Klub in Minneapolis, Minnesota. The line-up includes violin soloist Kip Jones, Ephemeral Structures, and Primidonahue (Michael Donahue). The music will start at around 9:00pm and there’s no cover to get into the club.
Yesterday afternoon I had a fantastic session with Ephemeral Structures. Although we have all worked with each other in several capacities, this is only the second time the group has performed in eight years. The result of yesterday’s session were pretty inspiring, so we are considering producing an album. The project includes Kyle Herskovitz (also know as DJ Zenrock) on turntables, Nils Westdal on bass and electronics, and me on electronics. The photo shows Kyle playing his turntable with a rubber band. I’ll share a segment of what we captured in a upcoming entry.
I was just informed by Charles Youel about video documentation for the 2010 ARTCRANK Poster Show featuring the track Fe2O3 by Keston and Westdal (Unearthed Music, 2010). The video does a great job of capturing the vibe of the event and I love the way they worked in our track. Here’s the description posted on vimeo.
“The 4th Annual Artcrank poster show. Its an Art Show for ‘Bike People’. Bikes are the world’s most fun and accessible way to get around. Posters are the world’s most fun and accessible art form. ARTCRANK brings them together. ARTCRANK is a showcase of bicycle-inspired original poster artwork that people can enjoy looking at and afford to take home. ARTCRANK began in Minneapolis in 2007, and has expanded to Denver, St. Louis, Portland, San Francisco and Des Moines. Every ARTCRANK show features posters created by local artists from the host city. Admission is always free, and posters are priced to let everybody take home at least one. This year the Artcrank opened at Shelter Studios in NE Minneapolis. If you’re interested in hosting or sponsoring an ARTCRANK show, want to participate as a poster artist, or simply have a question that hasn’t been answered by the previous paragraphs, send us an email and we’ll be happy to help. artcrankpostershow.com“