Real Orchestra vs Synth Mockup – Part 6/6

Posted on December 19, 2014 by lost track

This is the sixth part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording. For this example, I’ve chosen an exciting track from my album “Resonance Theory” called “Forever Lost”. The synth version was my demo – with live cello (my instrument) and lots of synth work.

Continue reading →

Real orchestra vs synth mockup – Part 5/6

Posted on December 15, 2014 by lost track

This is the fifth part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording.

For this example, I’ve chosen an exciting track from my album “Resonance Theory” called “Takedown”. It’s a no-holds-barred action trailer piece, with extreme amounts of energy, rises and synth work. Still, a huge role for orchestra and very demanding on the players. This is one section I knew no samples could never play…as they don’t exist!

Continue reading →

Real Orchestra vs Synth Mockup – Part 4/6

Posted on December 13, 2014 by lost track

This is the fourth part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording. For this example, I’ve chosen an exciting track from my album “Resonance Theory” called “Speed”. The sixteen-strong cello & bass section hated me after this, and you’ll see why!

Continue reading →

Real Orchestra vs Synth Mockup – Part 3/6

Posted on December 8, 2014 by lost track

Hi again, This is the third part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording. For this example, I’ve chosen another Christmas advert I worked on – Morrisons 2013 campaign. Featuring a re-recording/arrangement of Alan Menken’s “Be Our Guest” from Disney’s Beauty and the Beast. Here is the instrumental version only.

Continue reading →

Real Orchestra vs Synth Mockup Part 2/6

Posted on December 1, 2014 by lost track

Hi again. This is the second part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording.

For this example, I’ve chosen a piece that was recorded at Abbey Road studio 2, with the English Session Orchestra, and was used for the 2013 TK Maxx Christmas campaign. It was an arrangement of the 80’s synth pop hit, “Only You” by Yazoo. A simple piece which relies on expressive playing and fluid, agile string movement is always going to be tricky for samples. Here’s the before and after.

Continue reading →