Real Orchestra vs Synth Mockup – Part 1/6

English Session Orchestra at AIR Lindhurst

Hi there, Tom Player here – it’s been a while since my last post! This is the first part in a small series of blog posts I’ll make about the real-world differences between orchestral mockups (or synth orchestras) versus real orchestras. As a composer who is fortunate to work regularly with live orchestras, I’ll try to help show the difference from a decent demo recording, to a mixed and mastered finished recording.

For me, undoubtedly the ‘highlight of the job’ is getting to work with live players. There’s nothing like the moment at the beginning of a session you hear the first note, and suddenly your work is brought to life by an ensemble of talented players. You can breathe! And then the rest of the hard work starts. :)

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F1 @ Silverstone Grand Prix 2011

Having asked around the forums (http://socialsounddesign.com/) for tips, I headed up to Silverstone this weekend to camp & record some sounds for the F1.

The cars were LOUD. I must have been 50 metres away and had to wear ear plugs and cans…the gear changes kick you in the chest!

It was an entertaining race, and great experience. Tech below:

I was up by Abbey (and walking around) and managed to get lots of useable material. I sampled at 24/96 but there’s not much going on above 20-25k, only the really raspy exhaust stuff.
I hired out some low sensitivity DPAs and ran them into a fostex FR2LE at almost 0dB gain, coming up to -10dBFS.
The recordings do sound small and tinny. I remembered distinctly they had weight and size to them, although if you played them back at normal levels, you’d probably get near to the feeling – it’s the extreme volume.
The Lotus F1 engines had a new front firing exhaust and this made some entirely wierd noises, great for SFX.
(click for audio)

F1 Silverstone 2011 © Lostrack

BMW Burnout in the snow

Hey all,

Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing

photo credits Kemmish from sw-pc.com

This winter in the UK everything has been incredibly foggy and snow-bound. Awesome! I had some family relatives visit and one of the youngsters asked me what gadgets I had (as naturally all self respecting men should always be armed with several gadgets). The only thing I had on me (which I take everywhere) was my sound recording gear, so one dark night we went for a walk to the park to see what we could record.

From about a mile away we could hear some burnouts, so we ran through the park to find a highly tweaked BMW and driver having a fun time ripping it up in a snowy car park. Picture the scene, it was pitch black and extremely foggy, so the car cut through the silence of the night like a knife. We had to conceal ourselves from the driver, behind a hedge, and the car was sliding just metres away from us! The exhaust explosions sounded great, and the car lit up the snow with its headlights.

I recorded the following, and it’s unprocessed. Sounds RAW!!!

Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing

tags: Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing

Epic Machinery – Cruise Liner Engines

While on holiday I routinely bring recording equipment with me. In Italy, where they have decided to make normal passenger cruise ships look like ferarris, they also have interesting engine sounds to boot. I’ve been searching for a sound like this for years and have finally nailed it with this sound.

I recorded this standing a few feet away from the harbour at the exhaust side of the ship. It was maneuvering into position away from the harbour, and you can hear the engines in some detail – the turbos are kicking in, and the engine goes through a few start up procedures. This sounds epic!

 

Ocean Liner Cruise Ship Engines Engaging Turbos Whine Bass Epic Rumble Rev Servos Awesome Cool Technological Sound FX

Superheated Water – Dance of the Blobs

I love the texture of this sound – it’s infinitely sampleable, and equally uncontrollable. A thin coating of oil, rubbed into the pan – then heat it on high for 5 minutes. After a while, the water becomes so hot and isolated from the surface of the metal it superheats (boils without bubbles). This creates the beautiful dancing effect you get, similar to when mercury is loose on a solid surface.

The recording was made on a fostex FR2LE with a canon digital camera for visuals. The single hits would be cool for super fizzy percussion, don’t you think? Sampled at 24/96 on a fostex fr2le in stereo, 12 inches above the pan.

Tom

High quality download here:
Superheated oil and water – dance of the blobs

YOUTUBE link – Superheated Water & Oil – Dance of the Blobs